Rodrigo Spinel

GUIA DHL. Tracking. Drawing on paper. From The Series Terms and Conditions

2021

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

GUIA FEDEX and DHL. Tracking, Diptych by Rodrigo Spinel From the series Terms and Conditions Chinese ink on Fabriano paper 250 g. Overall Frame size: 52 cm H x 86 cm W x 4 cm D Over...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

Karl Bohrmann Mannheim 1928 - 1998 Cologne without title, 1994 Oil pastel Signed and dated upper centre Paper size: approx. 13 x 19 cm Frame: 59 x 41.5 cm Provenance: Galerie Meyer...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Untitled 2 Artist: William Schwedler, A...

Frammenti Pastel on Paper (Fabriano Elle) 100x70 cm 2023 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional implications of the relationship between human and dwelling. In this research, the landscape is the protagonist. People today rule over 75% of the land not covered by ice, which has led to modifying and shaping places, ignoring the life-giving forces of nature. The attempts of modern people...

Robert Ruello Switch-It #9, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...