Roger Lersy, "Abstract Seascape with Boats," Circa 1958.
A vibrant lithograph on paper by French artist Roger Lersy (1920–2004), this stunning Cubist-inspired composition features an abstract seascape with stylized old boats rendered in a bold, expressive palette. Created in France circa 1958, the rare piece showcases Lersy's dynamic use of color and form, evoking movement and atmosphere with striking visual impact.
Hand-signed "R. Lersy" at the lower right, this print is numbered 24/50, indicating its place within a limited edition of only fifty impressions.
The work is beautifully presented in a contemporary, orange wood frame with a cobalt blue matte finish, protected by glass. This eye-catching pairing complements the artwork's vivid energy and maritime theme.
Provenance: Private collection in Europe.
Measurements:
With frame: 21.26 in wide (54 cm) by 24.80 in high (63 cm).
Opening view: 16.13 in wide (41 cm) by 20.07 in (51 cm).
Reference: Roger Lersy was a French painter, lithographer, and composer, born in Paris on April 2, 1920, and died in Orsay on June 22, 2004.
He belongs to the School of Paris and the Young Painting Movement.
Roger Lersy was born in the 18th arrondissement of Paris on April 2, 1920. Studying the piano from his earliest childhood, and also beginning to draw on his father's lap, Roger Lersy, son of a decorator, entered the École supérieure des arts appliqués Duperré in Paris after his schooling and spent three years there. He lives at 19 rue du Faubourg-Saint-Antoine and begins to paint. He also worked as a decorator and pursued higher musical studies with Noël Gallon between 1950 and 1954. After 1954, the year when galleries, both in Paris and abroad, began to exhibit him regularly, he practiced both painting (on canvases, in watercolors, and as tapestry cartoons) and music.
From 1961 to 1968, Lersy lived in the United States. In 1970, he held personal exhibitions in Paris, London, Geneva, Houston, Los Angeles, and New York.
Roger Lersy received initiation into the first degree of Freemasonry in the Ancient and Accepted Scottish Rite in 1979 at the Loge du Grand Val in the Paris region and later at the Grande Loge de France.
Roger Lersy was a dual-career artist. His paintings pulsate with rhythms and tremors.
In his paintings, the motif unfolds along a melancholy line, marked by well-concerted chords, pauses, and cadences. One could define Lersy as a baroque expressionist. According to Bernard Dorival, Roger Lersy, Gabriel Dauchot, Jean Commère, and Raymond Guerrier are some of the most well-known proponents of this expressionism, a continuation of Bernard Buffet's melancholy paintings.
Less well-known aspects of Roger Lersy include his interests in stained glass, mosaics, and sculpture, as well as his work on public and private structures.
Roger Lersy does not belong to the "Musicalism" movement in painting, in the sense that the term "Musicalism" historically refers to a group of painters formed around Henri Valensi in 1932. But if we accept, as Raymond Bayer says in his review of aesthetics, that musicalism is not a school but a doctrine of art, a set of knowledge constituting a system, the term can then, by extension, be likened to Roger Lersy.
With Lersy, the music and aesthetic effects (its arabesques and hatched lines of incredible virtuosity, for one, and its striated backgrounds, always of spectacular virtuosity, for the other) remain in permanent contact.
Roger Lersy died in Orsay (Essonne) on June 22, 2004.
Quotes from Lersy:
"Noises, cries, movements, and gestures, imprecise memories of overlapping emotions. Then, from unpredictable conflicts is born a new figuration of the tyrannic world that I undergo, and the contaminated object sees its form burst and projects its colors beyond its real limits."
"When I work, instinct guides me. I watch my hand, and I see it move. I ask it to stop when shapes and colors have become shadows and light to glorify life. Alas, sometimes they sing out of tune. But after all, life doesn't always sing in tune."