2023
Scottish artist Patsy McArthur explores the grace and power of human movement in her naturalistic drawings and paintings. Her latest works, including small ink studies, charcoal and graphite drawings and large oil paintings, convey a palpable sense of strength and athleticism, while also evoking a transcendent quality in the depiction of the human form in various states of suspension, from leaping and soaring to flying and falling. Above all, a feeling of freedom is carried throughout. McArthur studied painting in Aberdeen in the northeast of Scotland at the Gray's School of Art, where she received an Honors BA in Fine Art. She was awarded the Royal Scottish Academy John Kinross Scholarship to study abroad in Florence. In 2001, McArthur completed her MA in European Fine Art from the Winchester School of Art in Barcelona. McArthur has lived and worked in Australia, Spain, China, Berlin and New York and is currently based in Brighton, UK. This multinational perspective is reflected in her work by her striking ability to capture the universality of human emotion.
City Swim Dusk, realist monochrome charcoal drawing of swimmer in city setting
By Patsy McArthur
Located in Dallas, TX
"City Swim, Dusk" is a unique charcoal drawing on paper. Scottish artist Patsy McArthur captures the dynamic movement of the swimmer against an urban backdrop. This monochromatic ar...
Charcoal, Archival Paper
Waterway, Immersive Figurative Realist Charcoal Drawing of Swimmer in Motion
By Patsy McArthur
Located in Dallas, TX
Waterway Charcoal on paper Float framed in white behind anti-reflection museum quality glass. Artwork: 46 x 57.5 inches / 117 x 131 cm Framed size: 51.5 x 58 inches / 131 x 147 cm T...
Charcoal, Archival Paper
The Magic Cove, Realist charcoal drawing of underwater swimmers and reflections
By Patsy McArthur
Located in Dallas, TX
The Magic Cove Charcoal on paper Artwork: 30 x 40 inches / 76 x 102 cm Unframed Can be framed at an extra cost. This contemporary figurative charcoal drawing depicts swimmers suspen...
Charcoal, Archival Paper
Bathers - Nostalgic Seaside Figurative Work, Charcoal and Pastel Drawing
By Patsy McArthur
Located in Dallas, TX
"Bathers" by Patsy McArthur is a contemporary figurative charcoal and pastel drawing on paper that captures a quiet, atmospheric moment of human presence within water. The compositio...
Charcoal, Archival Paper, Pastel
Performance I, realistic charcoal & ink monotone drawing, woman in striped dress
By Patsy McArthur
Located in Dallas, TX
"Performance I & II" are thoughtful and dynamic charcoal drawings on paper by Patsy McArthur. They are monotone, black and white, and show a woman wearing a fashionable striped s...
Archival Paper, Charcoal, Ink
Cadence, Realist charcoal drawing of women & hair running, graphic and patterned
By Patsy McArthur
Located in Dallas, TX
Cadence Charcoal on paper Artwork size: 24 x 46.5 inches / 60 x 118 cm Framed size: 27.5 × 52 inches / 70 × 132 cm Float framed in white behind anti-reflect art glass. This contempo...
Charcoal, Archival Paper
Temptation to Exist: black and white landscape of swimmers in pool
By Michele Zalopany
Located in New York, NY
Black and white cityscape or landscape with swimmers bathing with friends in a large pool or body of water. This monotype -- a unique painting in ink -- presents an atmospheric scene of European leisure and sports. Paper 35 x 26 in. / 90 x 66 cm. Monotype on white MBM Ingres d'Arches paper. Signed by the artist, annotated "IA", and dated 1990 lower right in pencil. This large monotype depicts a group of young men swimming...
Monotype
Afternoon Swim
By Eric Nash 1
Located in Fairfield, CT
Eric Nash is a California artist working in oil and charcoal. Often highly realistic, his images are pared down to their idealized essence often conveying a film still or a memory. H...
Paper, Charcoal
Places (1) Contemporary Drawing in Graphite on Archival Paper, 2010-
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Archival Paper, Pencil, Graphite
Les Indestinés, Charcoal and Graphite Drawing on Archival Paper
By Fabien Granet
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...
Archival Paper, Graphite, Charcoal
Elsewhere Study - Original Charcoal Drawing of a Woman in Shadow, Framed
By Nathan Brad Hall
Located in Chicago, IL
The subject, peaking out of a darkened corner, gazes directly at the viewer in this intimate charcoal drawing by New York based artist Nathan Brad Hall...
Paper, Charcoal
Places (Horreum) Contemporary Graphite Drawing on Archival Paper
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Archival Paper, Pencil, Graphite
