1880s
Portrait - Original Pencil Drawing - Early 20th Century
Located in Roma, IT
"Portrait" is an original drawing in pencil on paper, realized by Marie Louise Lenoir (1883-?) The state of preservation of the artwork is very good. Sheet dimension:19.4 x13 cm. T...
Pencil
Portrait - Original Drawing In Pencil- 20th Century
Located in Roma, IT
"Portrait" is an original drawing in pencil on ivory-colored paper glued on ivory-colored cardboard, signed, on the back of the drawing, by Bernard Millerent. Good conditions. She...
Pencil
Portrait - Original Pencil Drawing - 1949
Located in Roma, IT
"Portrait" 1949's is an original drawing in pencil on paper, realized by Jean Roch Collon (1894-1951) The state of preservation of the artwork is very...
Pencil
Portrait - Original Pencil Drawing - Mid-20th Century
Located in Roma, IT
Portrait is an original pencil drawing realized by an Italian artist from the mid-20th Century. Good condition, no signature. Mounted on a brown cardboard passpartout (17x12.5 cm).
Pencil
Portrait - Original Drawing - Early 20th Century
Located in Roma, IT
Portrait is an original drawing in pencil realized by an anonymous artist in the Early 20th Century. Good conditions. The artwork is depicted by perfect hatching with strong strokes.
Pencil
Portrait - Pencil Drawing - Early 20th Century
Located in Roma, IT
Portrait is an original pencil drawing on ivory-colored paper, realized by Anonymous French Artist of the late 19th Century. In very good conditions. Not signed. Image Dimensions:...
Pencil
Signed Graphite Portrait Drawing, English School, Mid-20th Century
Located in London, GB
Graphite on paper, signed bottom right Image size: 13 x 8 3/4 inches (33 x 22.25 cm) Original frame Dora Thacher Clarke, later Dora Middleton, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art. Clarke was born in Harrow in Middlesex. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the Slade School of Fine Art. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the Royal Academy in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the Goupil Gallery and in March 1937 had her first solo show at the French Gallery. She also exhibited at the Paris Salon and with the Royal Society of British Artists. Clarke's works included bronze castings, memorials and wood sculptures, often of African heads. For example she was commissioned to sculpt the posthumous portrait bust of Sir Walter Morley Fletcher. The most notable of her memorials is the panel and medallion tribute to Joseph Conrad at Bishopsbourne in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her technique of choice, often working with hardwoods and, on occasion, sperm whale teeth. Clarke married Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the War Artists' Advisory Committee to produce a portrait medallion depicting a serviceman who had been awarded the George Cross. This proved to be the only portrait medallion acquired for the WAAC collection. Sculptures by Clarke are held in various museums, including the Ashmolean Museum which also holds a 1936 portrait of her by Orovida Camille Pissarro.
Graphite
Autoportrait Drawing, Signed, Charcoal on Paper, Circa 1880-1890
Located in PARIS, FR
Emile WAUTERS Bruxelles 1846 - Paris 1933 Autoportrait Vers 1880-1890 Fusain sur papier fort Signé en bas à droite 24 x 17 cm feuille 39 x 33 cm cadre Petites tâches peu visibles, B...
Charcoal
"Elaine", Graphite Drawing on Paper, Modern Portrait, 1935
Located in Astoria, NY
Peter Agostini (American, 1913-1993), "Elaine", Graphite on Paper, 1935, signed and dated "A 35" lower right, titled lower center, silver-tone frame. Image: 12" H x 9" W; frame: 15"...
Graphite, Paper
Study of a Woman, Graphite Sketch, 20th Century British Artist, Signed
Located in London, GB
Graphite on paper, signed on reverse Image size: 11 x 9 1/2 inches (28 x 24 cm) Mounted and framed Ernest Proctor Born in Tynemouth, Northumberland, the son of a scientist, Ernest was educated at Bootham Friends' School in York and then came to Newlyn in 1907 to study with Stanhope Forbes. He quickly become recognized as the best student of the School. He acted as Assistant to Stanhope Forbes and Elizabeth Forbes...
Paper, Graphite
Portrait of Alfred Hardiman, Graphite Sketch, Signed and Dated 1925
Located in London, GB
Graphite on paper, signed and dated Image size: 18 x 12 1/2 inches (46 x 32 cm) Mounted and framed The sitter for this portrait, Alfred Hardiman, was an English sculptor. Hardiman and Lyon were friends and met when they both attended the British School at Rome in the early 1920s. Hardiman won a London County Council Scholarship to the Royal College of Art in 1912, and three years later joined the Royal Academy School. After a period as an engineer's draughtsman in the Royal Flying Corps during the First World War, Hardiman resumed his studies and in 1920 was awarded the British Prix de Rome scholarship, spending two years at the British School at Rome. There he developed his style, a blend of naturalism and classicism influenced by Roman and Etruscan art and early fifth century Greek sculpture. Hardiman's best-known (but also most controversial) work is the Earl Haig Memorial on Whitehall in London. More universally admired are the heraldic lions flanking the main entrance to the City Hall, Norwich, a work which fully epitomises his style. He was appointed consultant sculptor to the building, having worked with one of the architects, Stephen Rowland Pierce, on the Haig Memorial. Hardiman also carved three large stone figures for the outside of the council chamber, and worked with other sculptors on the project including James Woodford and Eric Aumonier. Hardiman was elected Associate of the Royal Academy in 1936 and a full Academician in 1944. He became a fellow of the Royal Society of British Sculptors in 1938 and the following year received their silver medal for his statue of Haig. In 1946 he won a gold medal for his bronze fountain figure for the New Council House, College Green, Bristol, which however was never erected. In 1918 he married Violet, daughter of Herbert Clifton White, of London, and had two daughters. He died at Stoke Poges on 17th April 1949. Robert Lyon...
Paper, Graphite
Figurative Pencil Drawing - Male Portrait Studies
Located in Houston, TX
A fascinating 19th Century pencil drawing of varying male portraits, mostly in profile view, with differing facial expressions and facial ...
Paper, Pencil
