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Hyman Warsager
'Color Abstraction of Pyramids and Temples of Mexico' — Abstract Expressionism

c. 1960

$950
£718.23
€838.45
CA$1,351.80
A$1,371.16
CHF 782.97
MX$16,605.22
NOK 9,217.49
SEK 9,186.90
DKK 6,267.49

About the Item

Hyman Warsager, 'Color Abstraction of Pyramids and Temples of Mexico', acrylic and oil pastel, c. 1960s. Initialed in pencil, lower right. A spontaneous, painterly abstraction, with fresh, vibrant colors, on cream wove paper; the image extending to the sheet edges. Tape stains, verso, not showing recto, in overall good condition. Archivally matted to museum standards, unframed. Image size 14 x 16 1/2 inches (356 x 419 mm). Provenance: the estate of the artist, from his personal portfolio. ABOUT THE ARTIST Born in New York City, Hyman J. Warsager studied at the Hartford Art School, the Metropolitan Museum of Art, Pratt Institute, Grand Central School of Art, and the American Artists School. Warsager was a member of United American Arts and exhibited at the San Francisco Artists Association in 1938. Warsager was employed by the Graphic Arts Division of the WPA Federal Arts Project in New York City from 1935-1939, where he contributed to the development of the silk-screen process as a fine art medium with a group of artists led by Anthony Velonis. Warsager also worked in engraving, etching, and lithography, and he was an illustrator for the New Masses. His inventive and masterfully-crafted prints depict urban scenes and rural landscapes celebrating nature and the working man. His later work gradually evolved into innovative, non-objective abstraction. Warsager was a member of the John Reed Club. The club, named after the journalist who founded the American Communist Party in 1929, had 30 branches in major cities across the country and sponsored art exhibitions, art classes, and political discussions. He was one of the 45 artists whose work was included in a 1935 ACA Gallery exhibition in Greenwich Village titled 'The Struggle for Negro Rights.' Warsager’s woodcuts and serigraphs have been exhibited in a range of galleries and museums, including the Metropolitan Museum, Museum of Modern Art, Whitney Museum of American Art, and the San Francisco Museum of Art. Warsager’s work is held in many institutional collections, including the Art Institute of Chicago, Baltimore Museum of Art, Brooklyn Museum, Detroit Institute of Arts, Metropolitan Museum of Art, National Gallery of Art, Philadelphia Museum of Art, Smithsonian American Art Museum, Wesleyan University, and the Whitney Museum of American Art.
  • Creator:
    Hyman Warsager (1909 - 1974, American)
  • Creation Year:
    c. 1960
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 16.5 in (41.91 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 985001stDibs: LU532310509672

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Ernest A. Dieringer, Untitled (Color is Life), watercolor, 1959. Initialed 'ED' and dated ' '59' in red pencil at the top and bottom sheet edges—the artist's indication that the work can be viewed from either side. Signed 'Dieringer' in pencil in the bottom support board margin. A fine abstract expressionist work, watercolor on white wove paper, with fresh, bright colors; the image extends to the sheet edges, spot glued to the original cream wove backing board, in very good condition. Archivally matted to museum standards, unframed. Image size 9 x 10 15/16 inches; backing board size 13 1/2 x 16 3/4 inches. Provenance: ex. Collection Alexander Raydon. The collector/dealer's well-known 'Raydon Gallery' was established in 1962 on 82nd Street and Madison Avenue, New York City. ABOUT THE ARTIST Ernest Dieringer (1932–2016) studied at the Art Institute of Chicago on a National Scholastic Scholarship, beginning his career with the Chicago-based Wells Street Gallery in 1957. He showed his work with other abstract artists, including Robert Natkin and John Chamberlain. The gallery was considered a vanguard space in Chicago for exhibiting emerging abstract artists from the surrounding area. Artists associated with the gallery eventually became known as the Wells Street Group. Due to the success of the gallery, Dieringer and other group members were invited by the Manhattan-based contemporary art dealer...

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