1971
Approaching Storm, New Branches
By Gregory Sumida
Located in Palm Desert, CA
A watercolor by Gregory Sumida. "Approaching Storm, New Branches" is a watercolor on watercolor board, executed in dark browns, greens and blues and depicting a tree trunk with bare ...
Watercolor, Board
Supported
By Gregory Sumida
Located in Palm Desert, CA
A watercolor by Gregory Sumida. "Supported" is a watercolor on watercolor board executed in earthy browns, blues, greens, yellows and white and depicts a cut tree trunk with dry, bar...
Watercolor, Board
Fence Support
By Gregory Sumida
Located in Palm Desert, CA
A watercolor by Gregory Sumida. "Fence Support" is a watercolor executed in greens, blues yellows and browns and depicts a pair of barren trees against a barbed wire fence...
Watercolor
Vacated
By Gregory Sumida
Located in Palm Desert, CA
A watercolor by Gregory Sumida. "Vacated" is a watercolor on watercolor board executed in blues, yellows, greens, browns and whites and depicting a dilapidated and abandoned home set...
Watercolor, Board
Tree Trunk and Barn
By Gregory Sumida
Located in Palm Desert, CA
A watercolor by Gregory Sumida. "Tree Trunk and Barn" is a watercolor on pressed board executed in earthy browns, yellows, whites and blues and depicting a bare branched, tree trunk ...
Watercolor, Board
Tree with Bare Branches
Located in Palm Desert, CA
A painting by Gregory Sumida. “Tree with Bare Branches” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed...
Watercolor
Olive, hanging branch
By Michael Rich
Located in Fairfield, CT
In paintings, drawings and prints, Michael Rich explores the beauty and irascibility of the natural world through an approach to painting that is visceral, physical and colorful. Of...
Paper, Watercolor
"We Two", Trees Inhabited by Human in Nature, Drawing with Pigments on Paper
By Frank Girard
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...
Paper, Ink, Watercolor, Pigment
Naked Tree, Original Painting
By Vic Roschkov
Located in San Francisco, CA
Artist Comments
A stark, leafless tree stretches its branches toward a soft, clouded sky. Its weathered trunk stands as a testament to passing time. Beside it, a vibrant, full-...
Watercolor
Fallen Trees
By Kristin Musgnug
Located in Houston, TX
Kristin Musgnug Fallen Trees, 2015 oil on paper, 22 x 30 inches unframed 25 x 33 framed (framed in white washed maple, with OP3 glazing)
Oil, Rag Paper
"December", Trees and Human in Nature, Pigments and Drawing on Paper
By Frank Girard
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...
Paper, Ink, Pigment
"Memory of Leaves, " Charcoal on Paper
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...
Paper, Charcoal
