Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

James Vaulkhard
The Missouri River

2025

$7,650.34
£6,600VAT Included
€6,558.57
CA$10,602.83
A$10,651.92
CHF 6,144.12
MX$129,628.49
NOK 71,372.54
SEK 72,399.73
DKK 49,029.10

About the Item

James Vaulkhard The Missouri River, 2025 Oil stick & pastel on wood panel 60 x 85 cm 23.6 x 33.5 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has both trained and taught at Charles Cecil Studios and Studio Della Statua in Florence, Italy. Here, he gained a formidable reputation for his ability to embrace and manifest traditional techniques in both portraiture and sculpture. Notably, upon his graduation in 2013, Vaulkhard was commissioned to participate in a bridge project between Italy and Kenya, developing the preliminary studies for The Sacred Heart Cathedral Kericho in collaboration with local Kenyan sculptors. In 2014, Vaulkhard relocated to London and continued to develop an artistic style that reframed his classical training and moved towards a more experimental category of visual expression. His first work to be exhibited in London was a series of collage works featuring seven representations of the fictional hero James Bond comprised of found erotic and pornographic imagery. In the wake of the success of that series he created a series entitled Icon that employed the same techniques. This included his acclaimed unauthorized 2017 portrait of then-President of The United States Donald Trump, created from cuttings of historical dictators and political tyrants. In 2019, Vaulkhard returned to his roots in oil painting, creating a large-scale series of dystopian landscape paintings entitled Echo Chambers–a collection of algorithm-inspired ‘cave-paintings’ that posed questions about human identity in an era that the artist suggests may prove to be the dawn of guided evolution. These abstract forms blended a primordial past and potential future, depicting fingerprints and crude depictions of beasts veined in algorithmic code. In his most recent work, Vaulkhard has combined techniques developed in both these series of works and married them to the aesthetic arena of Japanese art, specifically addressing the mysterious concept of Ma or negative space. The result is a series of abstract landscapes intended to draw the viewer deeper into nature via an overwhelming visual cacophony that seeks to communicate the vast potentialities that exist between the elements. James Vaulkhard’s paintings are illuminations of hope, they lead us to a potential for growth that sheds light on a flourished future. The artist draws inspiration from the Japanese theory of MA, coordinating the literary concept with a prodigious knowledge of Florentine classical canons of depth, embodied by shadows, reflections and light. James has been developing this body of work over the last two years, drawing his inspiration from landscapes in both Singapore and Kenya. The works are best described as dreamscapes, in the most noble sense of the term: they are landscapes mused from memories. His works echo an abstraction that can be found in Claude Monet’s Water Lilies. Similarly to the French artist, James’ works capture a constantly changing natural light and colour, which dissolves all spatial cues and where adjacent elements intermingle. Each painting is a token for a balmy meditative moment. The physical occurrence of water lilies also reflects upon a peaceful overtone, describing an ascension from the worldly to the spiritual. Vaulkhard’s works are an omen that touches on metaphors of the living and the lost. James propositions the viewer with a rediscovery of the meaning of space, how it is occupied and how it overflows with the weight and light of the ethereal. The works are a portrayal of our geo-psyche. He manifests hidden spirits and makes them reappear as bloom on the canvas. His oeuvre shows us that nature is abstraction. Foliage is a palette for the artist to play with and the patterns in verdure are the stencils of the human spirit, constantly repeated and adapted to the canvases of our lives. These carvings of nature lead way to negative spaces charged with even more abstraction: “the silence between the notes which make the music”. In his most recent body of work, James develops on his approach to the concept of MA, he talks about the legacy of the forest surrounding his home in Kenya. His work has strong visual references to Peter Doig and David Hockney. His use of colour is emotional, as opposed to being a representative one. His use of purple hues are echoes of nature and the memories which it holds. James’ palette tells a different story to the one which can be seen in his compositions. The hues are evocative of memories, they aren’t descriptions of nature, but of the nostalgia which it conveys. Similarly to Doig, James is a voyeur to his environment, a painterly novelist of the sceneries surrounding him.
  • Creator:
  • Creation Year:
    2025
  • Dimensions:
    Height: 23.63 in (60 cm)Width: 33.47 in (85 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU2921217708152

More From This Seller

View All
The Missouri River

The Missouri River

By James Vaulkhard

Located in London, GB

James Vaulkhard The Missouri River, 2024 Oil pastel on wood panel 21 x 29.5 cm 8.2 x 11.6 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has b...

Category

2010s Contemporary Landscape Paintings

Materials

Wood Panel, Oil Pastel

Yellowstone River

Yellowstone River

By James Vaulkhard

Located in London, GB

James Vaulkhard Yellowstone River, 2025 Oil stick & pastel on wood panel 60 x 45 cm 23.6 x 17.7 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and...

Category

2010s Contemporary Landscape Drawings and Watercolors

Materials

Wood Panel, Oil Pastel

Little Bighorn River

Little Bighorn River

By James Vaulkhard

Located in London, GB

James Vaulkhard Little Bighorn River, 2025 Oil stick and pastel on linen 180 x 150 cm 70.8 x 59 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and...

Category

2010s Contemporary Landscape Paintings

Materials

Oil, Oil Pastel, Linen

South Dakota 1

South Dakota 1

By James Vaulkhard

Located in London, GB

James Vaulkhard South Dakota 1, 2024 Oil pastel on wood panel 29.5 x 21 cm 11.6 x 8.2 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has both ...

Category

2010s Contemporary Landscape Paintings

Materials

Wood Panel, Oil Pastel

South Dakota 4

South Dakota 4

By James Vaulkhard

Located in London, GB

James Vaulkhard South Dakota 4, 2024 Oil pastel on wood panel 29.5 x 21 cm 11.6 x 8.2 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has both ...

Category

2010s Contemporary Landscape Paintings

Materials

Wood Panel, Oil Pastel

South Dakota 3

South Dakota 3

By James Vaulkhard

Located in London, GB

James Vaulkhard South Dakota 3, 2024 Oil pastel on wood panel 29.5 x 21 cm 11.6 x 8.2 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has both ...

Category

2010s Contemporary Landscape Paintings

Materials

Wood Panel, Oil Pastel

You May Also Like

Richard J.S. Young - Contemporary Oil, The Severn Esturary

Richard J.S. Young - Contemporary Oil, The Severn Esturary

By Richard J.S. Young

Located in Corsham, GB

A charming landscape by Richard J.S. Young. An inscription on the reverse side of the board identifies the location as the Severn estuary, looking towards Wales. Unsigned. On board. ...

Category

21st Century and Contemporary Landscape Paintings

Materials

Oil

Yellowstone River at Big Timber

Yellowstone River at Big Timber

By Theodore Waddell

Located in Bozeman, MT

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Category

Early 2000s Contemporary Landscape Paintings

Materials

Canvas, Encaustic, Oil

Midwestern Lake, Original Painting

Midwestern Lake, Original Painting

By Janet Dyer

Located in San Francisco, CA

Artist Comments
An aerial view reveals a patchwork of farmland in the Midwest. A blue lake nestles among the green fields, mirroring the soft hues of the horizon. The compositi...

Category

21st Century and Contemporary Impressionist More Art

Materials

Acrylic

Moraine Valley, Rocky Mountain National Park, Colorado, 20th Century

Moraine Valley, Rocky Mountain National Park, Colorado, 20th Century

By Frank Wilcox

Located in Beachwood, OH

Frank Nelson Wilcox (American, 1887-1964) Moraine Valley, Rocky Mountain National Park, Colorado, c. 1950 Watercolor on paper Unsigned 19 x 24 inches Provenance: From the Estate of Frank Nelson Wilcox Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Category

1950s American Modern Landscape Drawings and Watercolors

Materials

Watercolor

Yellowstone River SD, Painting, Oil on Other

Yellowstone River SD, Painting, Oil on Other

By Richard Szkutnik

Located in Yardley, PA

original plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes...

Category

21st Century and Contemporary Impressionist Paintings

Materials

Oil