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Leonor Fini
Leonor Fini, Blue and Green Face (Visage Bleu et Vert), Watercolour, 1940s

c. 1948

$52,130.89
£37,500
€44,707.71
CA$72,220.47
A$72,900.67
CHF 41,888.94
MX$883,644.02
NOK 484,843.37
SEK 495,240.15
DKK 334,202.55

About the Item

Signed Watercolour and gouache on paper 16 x 12 inches Blue and Green Face (Visage Bleu et Vert), painted in 1948, is typical of Leonor Fini’s approach to portraiture, in that the subject has a vague femininity, bordering on androgyny. The subject peers through a delicate wash of colour, swimming into focus. With the hazy demarcation of line and muted unreal tones the figure appears as an otherworldly or mythical character. The observation that Fini’s paintings are like a ‘dream of tremendous importance half-grasped upon awakening’ rings true; there is a mysteriousness and a tension about the figure that is suggestive of the Surrealist influence on the artist’s practice. Although she never formally aligned herself with Surrealism, the Argentinian-Italian artist Leonor Fini (1907-1996) was a key figure in the Surrealist social-artistic group in Paris. While she shared the movement’s belief in the veracity and logic of dreams and participated in the first major Surrealist exhibitions of the 1930s and 40s, her staunch individuality kept her independent from any group or movement. One of the most influential and idiosyncratic artists of the twentieth century, Fini explored sexuality, desire, femininity and self-invention. Fini received no formal artistic training and throughout her life experimented with a range of media including stage and costume design, book illustration, literary fiction and traditional portraiture. Drawing on iconography from mythology and dreams, her work was fantastical yet, because of her rejection of contemporary understandings of gender, stood apart from the work of key Surrealist artists which relied more heavily on traditional tropes. The poet and playwright Jean Cocteau (1889-1963) described Fini’s paintings as ‘réalisme irréel’ and her 1942 painting Femme Assise sur un Homme Nu has been called the first erotic male nude ever painted by a woman. Fini’s work is held in various international public collections, including The Metropolitan Museum of Art, New York; Tate Modern, London; Peggy Guggenheim Collection, Venice; and Centre Georges Pompidou, Paris. She died in 1996 in Paris.
  • Creator:
    Leonor Fini (1908 - 1996, French)
  • Creation Year:
    c. 1948
  • Dimensions:
    Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)
  • More Editions & Sizes:
    16 x 12 inchesPrice: $52,131
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU8815975432

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