Gold Drawings and Watercolor Paintings

This Gold Leaf and Oil on paper, named Peony Summer is a part of New Abstract Series by Award winning British artist Shizico Yi. She created the painting in her garden painted plein...

Shizico Yi's "Primary Series" is a series where she explores the relationship between colours and emotion, particularly the colour yellow ( using gold leaf as the chosen material for...

This Oil impasto and Goldleaf on Paper, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created the painting in her garden paint...

This oil and gold leaf on Georgian oil paper board is a part of Summer Bloom Series, an extension of the Sunlit in primary colour project. Captured Shizu's garden in the night in th...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

This Set of 2, work on paper, named Le Bleu are a part of Jardin d'Hiver Series by award winning British artist Shizico Yi. She created the series in her winter studio while longing...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Limerick: Henry O'Shea, c1800. Dual process photogravure on cardstock, 4 x 2 1/2 inches (102 x 64 mm), the full sheet. Framed handsomely in the original handmade wood frame with a ...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

An 18th century, Mughal painting of a tribal chief, shown richly dressed and reclining in a courtyard surrounded by numerous concubines. Exceptional attention to detail throughout, p...

This Gold Leaf and Oil on paper, named Benton Irises in Starry Night is a part of Le Bleu Series by award winning British artist Shizico Yi. She created the painting in her garden p...

Night Roses-Rosarian, 2026 is Shizico Yi's latest work, inspired by her new rose garden with a nod to the visual language of Japanese woodblock print. In this series, Yi further ex...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

Emperor Jahangir depicted with his harem attendees aboard a pleasure cruise, the water filled with lotus blossoms; symbols of paradise itself. Circa 1750. Gouache and ink with gold ...

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and...

Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1690. Gouache and ink with gold heightening on light...

Marilla Palmer Ecstasy of the Sun, 2025 watercolor, gold leaf, embroidery, millinery foliage, pressed flowers, Durabright prints on Arches paper 29.5 x 41 in. (pal256) Marilla Palm...

Estrada works are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women with a deconstructive visual language. Discover the captivating world...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling c...

Marilla Palmer Kissing the Stamen, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal255) Marilla Palmer lives and wo...

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 12 5/8 x 8 9/16 inches (320 x 217 mm). Toning, handling creases and minor sc...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

'Dawn on Silk' Original Artwork, Unframed _________________ Capturing the pulse and flush of fleeting youth. Sap rising through branches, buds, blossoms; like blood through the vein...

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in green and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (gold o...

Interior design paintings. The artwork were done with acrylic, gold leafing pen 18 kt in gold and black color on canvas size 48x36". This is the "Many thoughts, one head" series. Th...

Interior design paintings. The artwork were done with oil, gold leafing pen 18 kt and ink in gold and turquoise color on watercolor paper 300g. The work are 20 by 15 inches in size, ...

Shizico Yi's "Primary Colour Series" is a series where she explores the relationship between colours and emotion, particularly the colour yellow ( using gold leaf as the chosen mater...

This Set of 2 Oil impasto and Goldleaf on oil Papers, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created these paintings i...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This Ink and Goldleaf on oil Paper, named Moonlit Lime Tree, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. In this series, Shizico Yi deepens her expl...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

This Diptych make with oil and gold leaf on Georgian oil paper board is a part of Summer Bloom Series by Shizico Yi, it's an extension of her long running Sunlit project; it captured...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

This Set of 2, work on paper, named Bouquet of Spring are a part of Jardin d'Hiver Series by award winning British artist Shizico Yi. She created the series in her winter studio whi...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

This contemporary botanical drawing is made with 14 karat gold on painted black paper. The exploration of ephemerality, and the fragility of a dandelion gone to seed, its leaves and ...

This delicate botanical contemporary drawing is made with graphite on painted black paper. The exploration of ephemerality, and the fragility of a wild hawkweed plant, its leaves, fl...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

Antique Victorian Watercolour of Whitby Harbour by 19th Century British Artist William Langley (1852–1922) dating back to Circa 1891 Art measures 19 x 10.5 inches Frame measures 2...

This delicate contemporary botanical drawing is made with handmade walnut ink and 23K burnished shell gold on a prepared panel. The exploration of ephemerality, and the fragility of ...

Marilla Palmer Euphoria, 2025 watercolor, gold leaf, pressed flowers, sequins, holographic vinyl, Durabrite prints, mushroom spores, millinery velvet, stitching on Arches cold press ...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Ink and gouache with yellow heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, and the Jaipur State Council Stamp dated June 5 18...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...