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Academic Life Study of Male Nude, Pencil and Charcoal on Paper, Signed

$4,012.95
£2,895VAT Included
€3,445.65
CA$5,558.33
A$5,572.65
CHF 3,229.31
MX$68,093.34
NOK 37,423.08
SEK 38,215.24
DKK 25,755.29

About the Item

Alb. Muller. German Mid 19th Century. Academic Life Study Of A Male Standing Nude. Pencil And Charcoal On Paper. Signed Lower Right. Paper size 23.8 inches x 17.1 inches ( 60.5cm x 43.5cm ). Frame size 31.3 inches x 23.8 inches ( 79.5cm x 60.5cm ). Available for sale; this academic life drawing of a male nude is by a German artist and dates from the mid 19th century. The drawing is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and behind non-reflective Artglass AR70® glass. This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The drawing is signed lower right A. Muller. The drawing came from a portfolio of drawings by the same hand, some were signed Alb. Muller. This original mid-19th century drawing by German artist Alb. Muller is a finely executed academic study of a standing male nude, rendered in pencil and charcoal on paper. Signed “A. Muller” in the lower right section, the work reflects the disciplined approach of nineteenth-century European art academies, where mastery of anatomy and light was central to artistic training. The male figure is portrayed with a contemplative expression, his pose natural and unidealised, demonstrating Muller’s skill in capturing the subtleties of human form and gesture. The artist’s controlled shading and sensitive linework give the study a remarkable sense of depth and realism. This impressive drawing is ideal for collectors of academic figure studies, 19th-century German art, and classical life drawings. © Big Sky Fine Art Good News for our US Customers! From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff. Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.
  • Dimensions:
    Height: 31.3 in (79.5 cm)Width: 23.82 in (60.5 cm)Depth: 1.19 in (3 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The drawing is presented & supplied mounted using conservation materials & behind non-reflective Artglass AR70® glass.This antique drawing is in very good condition, commensurate with its age.It wants for nothing & is supplied ready to hang & display.
  • Gallery Location:
    Sutton Poyntz, GB
  • Reference Number:
    1stDibs: LU489317206502

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Pre-Second Republic Academic Study Of A Male Nude Framed 1840s French Drawing

Pre-Second Republic Academic Study Of A Male Nude Framed 1840s French Drawing

Located in Sutton Poyntz, Dorset

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Standing Male Nude. Pencil & Charcoal On Paper. Paper size 23.8 inches x 13.6 inches ( 60.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This exceptional academic nude...

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Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Male Nude Carrying A Staff. Pencil & Charcoal On Paper. Paper size 23.4 inches x 13.6 inches ( 59.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This striking academic nude study...

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A Grand Prix De Rome Submission Circa 1906. “Académie D’Homme” Nude Throwing An Arrow. Period Print (Lithograph or Heliogravure). Image size 19 inches x 12.2 inches ( 48cm x 31cm ). Frame size 22 inches x 15.4 inches ( 56cm x 39cm ). Available for sale; this antique reproductive plate (usually a lithograph or heliogravure) after the original competition drawing is annotated Premier Grand Prix De Rome and is dated in the margin 1906. The print is presented and supplied in a sympathetic contemporary wooden frame (which is shown in these photographs) and behind glass. This antique print is in good material condition with age toning to the paper along with a scattering of aged blemishes. It is supplied ready to hang and display. The print carries a dedication lower right in the margin. An incomplete (partial) ink stamp in the lower left hand corner makes reference to an Anvers (Antwerp) institution. This finely executed early 20th-century figure print of a drawing is of the Académie d’Homme genre (traditional academic nude study). It depicts a nude male figure in dynamic contrapposto, shown mid-action as he prepares to throw an arrow. The pose combines classical balance with controlled movement, reflecting the rigorous standards of French academic training at the turn of the century. The image is a period print, likely produced as a lithograph or heliogravure, after an original competition drawing. It is annotated “Premier Grand Prix de Rome” and dated 1906 in the margin, indicating that the original of this work was a submission to the prestigious Prix de Rome competition, the highest accolade for academic artists in France. Such works were commonly reproduced for study, reference and institutional circulation and it is likely that this reproduction was made in the same year, or shortly afterwards. Rendered with careful anatomical precision, the figure demonstrates a deep understanding of musculature, proportion and weight distribution, hallmarks of École des Beaux-Arts instruction. The neutral background focuses attention entirely on the human form, emphasising clarity of line and sculptural modelling. This circa 1906 academic male nude print...

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