Ernest Procter

Ernest Procter (1886-1935) - 1925 Graphite Drawing, A Distant Look

1925

Gustave Poetzsch (1870-1950) Peaceful Woman, 1929 Original charcoals drawing Signed bottom right on tinted linen paper 43 x 31 cm (c. 17 x 12 in) Stamp of the Estate auction sale o...

Portrait of a Woman is an original pencil drawing realized by Serge Fontinsky (1887-1971) in the half of the 20th Century. Good conditions, minor cosmetic wear. Hand-signed on the...

Graphite on paper, signed on reverse Image size: 11 x 9 1/2 inches (28 x 24 cm) Mounted and framed Ernest Proctor Born in Tynemouth, Northumberland, the son of a scientist, Ernest was educated at Bootham Friends' School in York and then came to Newlyn in 1907 to study with Stanhope Forbes. He quickly become recognized as the best student of the School. He acted as Assistant to Stanhope Forbes and Elizabeth Forbes...

Pencil on two joined sheets of toned paper Signed 14 1/2 x 13 inches Religion was a guiding force in Spencer’s work, an energy made manifest in this drawing, Head of a Young Girl, ...

James Stroudley 1906 -1985 Portrait of a Lady Graphite on paper Image size: 24 x 15 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

James Stroudley 1906 -1985 Florentine Lady Graphite on paper, signed and inscriber '1932 Florence' Image size: 24 x 19 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Graphite on paper Image size: 12 1/4 x 8 inches (31 x 20.25 cm) Hand made contemporary style frame This is a wonderful self portrait that captures the artist as she stares, unafraid...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Portrait is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-co...

A fine large charcoal and pencil drawing on paper by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and b...