Svetlana Mihailova

Portrait Drawing, Pencil on Paper, Modern Style, Circa 1970s, Unframed

1970s

"Portrait" is an original drawing in pencil on paper, realized by Marie Louise Lenoir (1883-?) The state of preservation of the artwork is very good. Sheet dimension:19.4 x13 cm. T...

"Study for a Portrait" is an original drawing in tempera on paper, realized by an Anonymous French Artist of the XX Century . The state of preservation of the artwork is very good. ...

Portrait is an original pencil drawing on ivory-colored paper, realized by Anonymous French Artist of the late 19th Century. In very good conditions. Not signed. Image Dimensions:...

Portrait is an original drawing artwork realized by an unknown artist of the early 20th Century in pencil and white chalk. Hand-signed on the lower right (illegible) The state of ...

Graphite on paper, signed bottom right Image size: 13 x 8 3/4 inches (33 x 22.25 cm) Original frame Dora Thacher Clarke, later Dora Middleton, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art. Clarke was born in Harrow in Middlesex. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the Slade School of Fine Art. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the Royal Academy in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the Goupil Gallery and in March 1937 had her first solo show at the French Gallery. She also exhibited at the Paris Salon and with the Royal Society of British Artists. Clarke's works included bronze castings, memorials and wood sculptures, often of African heads. For example she was commissioned to sculpt the posthumous portrait bust of Sir Walter Morley Fletcher. The most notable of her memorials is the panel and medallion tribute to Joseph Conrad at Bishopsbourne in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her technique of choice, often working with hardwoods and, on occasion, sperm whale teeth. Clarke married Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the War Artists' Advisory Committee to produce a portrait medallion depicting a serviceman who had been awarded the George Cross. This proved to be the only portrait medallion acquired for the WAAC collection. Sculptures by Clarke are held in various museums, including the Ashmolean Museum which also holds a 1936 portrait of her by Orovida Camille Pissarro.

Graphite on paper Image size: 12 1/4 x 8 inches (31 x 20.25 cm) Hand made contemporary style frame This is a wonderful self portrait that captures the artist as she stares, unafraid...

Graphite on paper, initialled and dated 1960 Image size: 8 x 6 inches (20 x 15 cm) Handmade frame

James Stroudley 1906 -1985 Portrait of a Lady Graphite on paper Image size: 24 x 15 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...