
Boot Jack Graphite Drawing
Located in Bristol, CT
Art Sz: 11"H x 7"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA
21st Century and Contemporary Drawings and Watercolor Paintings
Paper, Graphite
Pencil Drawing Bold Lines
By Hugo Esteban
Located in Houston, TX
Bold lines abstract pencil drawing by Spanish artist Hugo Esteban, circa 1960. Signed lower left. Original artwork on paper displayed on a white mat with a gold border. Mat fits a...
Pencil

Jacques Schultz-Dal, Study of a Portfolio for Drawings, Charcoal with White Heig
Located in Paris, Île-de-France
This unusual work by Jacques Schultz-Dal presents a rare and highly appealing subject : a portfolio for drawings, one of the most intimate objects of the artist’s studio and of the w...
Chalk, Laid Paper

#5, 2008
By Joseph Piccillo
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...
Canvas, Graphite

"Fusion, " Charcoal on Paper, 2022
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Fusion” beautifully illustrates the collision of two young birch trees. Loosely drawn with short, lateral strokes, the drawing depicts the slow process of two trees fusing together as a graceful gesture of physical touch. The horizontal motion of the sketch-like linework captures the striated texture of birch bark, punctuated by the irregular forms of its eye-shaped markings. The light-colored trees are contrasted by a dark backdrop, a void of negative that isolates the trees in space and time. Restricting the composition to only a portion of the tree trunks, Surdo accentuates their abstract forms and focuses on the simple beauty of their graceful movements. Guided by his memory, Surdo recalls the trees as soft, gentle and calm, leaning in on each other in a tender embrace. His freeform, expressive style reveals the subjectivity of this memory and finishes the composition with a transient, dream-like atmosphere. Charcoal on paper...
Charcoal