Alex Tea

Blood and Light (2021)

2021

Oil, acrylic, ink and sand on wood panel Purple, blue, aqua, black, teal, indigo, violet, lavender, gray Geometric abstraction

"Uniformly Coordinated Tectonic Preferences II," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...

"Open Surgery," 2013. Found materials collage. Figurative, abstract, pattern, candle, anatomy, yellow, tan, green, red, purple, black, blue, and white. ...

"Uniformly Coordinated Tectonic Preferences IV," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...

Wolfram Erber Untitled Geometric Abstraction Color silkscreen Year: 1977 Signed and dated by hand Size: 8.3×6.3in on 16.5×11.6in COA provided Ref.: 924802-1174 Wolfram Erber (1939-...

Ben Abounassif was born in Caracas in 1964 to Lebanese parents. He graduated from Tennessee Tech University in 1987 with a B.A. in Business Management. Abounassif's first contact working in the art world was in 2006 when he launched Leiter Gallery in Miami, a short but successful experience as a co-owner working along with Cuban-born, Miami-based artist Sinuhe Vega Leiter, and Venezuelan-born internationalist & journalist, Jesus Rojas Torres. Abounassif's innate creativity was highly influenced by working closely with local artists and by visiting their studios and launching exhibitions at Leiter's, the only gallery in the U.S. that paid a living tribute to the late Cuban musician, Israel “Cachao" López. A year later in 2007, Abounassif exhibited his first art cube on Photo Miami '07 with Hardcore Contemporary Art in Wynwood. In 2008, Miami art dealer...

Gfeller + Hellsgård - Untitled 67 Screen-print on paper - signed & numbered - 2016 This is a rare A.P (artist proof) from the Untitled 67 print run. It's handprinted 5 colours as split-fountain. Size 80 x 60 cm, with a 5 cm white border, the condition is good, it will be shipped rolled in a hard tube. Artist info: Gfeller + Hellsgård is an artist duo working in Berlin. They've created an unique painterly screen-print-style which includes colour overlaps, smudges, bleeding, glitches and transparencies. In 1995 while studying at Ecole Supérieur des Arts Décoratifs de Strasbourg, Christian Gfeller (born 1973, Alsace) started publishing screen-printed graph'zines and artists' books under the moniker Bongoût (good taste). Bongoût found it's roots in the french D.I.Y art punk scene and, together with an handful of people, also organised concerts, party's and performances in an old warehouse named Lactina in Kehl, across the Rhine from France. The location became cult with its first techno parties, noise concerts and art performances, as well as exhibitions. Christian's first screen-print studio was located in Lactina and beside zine and book making, he designed and printed posters for the events as well as record covers for the cult garage trash punk label Yakisakana Rcds. In 2000, FLTMSTPC in Paris published a polaroid book by Christian, where this vivid time at Lactina was well documented. During this period Christian also played in several local bands: Pitfall, Elcamino and The Cheeraks. Christian Gfeller met Anna Hellsgård (born 1980, Stockholm) at a concert in Berlin on September 11th 2001. After Anna's short art study at Konstskolan in Stockholm, she was eager to develop her photographic interest and become an assistant to a commercial photographer for 2 years. In the meantine Anna also was Dj-ing in several clubs and bars in Stockholm. A vague memory from 1991 of her first Berlin visit and her music interest draw her to move to Berlin in 2001. There she continued with her B/W photographs and shot hundreds of pictures during her first time in Berlin. When she met Christian, she got immediately drawn to the french underground scene and its subversive graphic art content. Whenever she visited Christian in Strasbourg she would help him with his printing at the Lactina studio. In 2002 the couple moved to Bordeaux and built up a screen-print studio there. This is where they started to work full time together as an artist-duo, publishing their own zines, artist's books as well as designing gig posters and record covers. The year and a half in Bordeaux was very prolific and they grounded together a strong artistic direction and a unique style. Bongoût editions continued to grow there as well.The artist-duo produced over 40 screen-printed books in collaboration with other artists during this time. In 2004 they decided to move back to Berlin, and relocated their studio to the Friedrichshain neighbourhood. Over the years, the duo released over 200 screen-printed zines and artists' books, some by themselves and others in collaboration with artists from around the world: David Sandlin...

The painting is being offered with a work and authenticity certificate