Annika Liljedahl

Annika Liljedahl Smoking Ghosts Textile

1978

Untitled, c. late 20th/21st century Mixed media 22 x 17 3/4 in. Framed: 29 3/4 x 25 2/3 x 2 1/2 in.

Renee Gaylin Ritter (American, b. 1935) Growth, c. 1990s Mixed media on canvas 16 1/4 x 31 3/4 x 2 in. Signed lower right Bio from Renee Ritter's website: I'm a New Yorker, born and bred. I was raised with noise and rush and life all around me. My world was vivid technicolor, and no one ran faster than I did. I met and married the man of my dreams, and had the joys and exasperations of raising a family. And all of these events would have been the colors of my canvas if not for the happy opportunity of being able to spend some years in Japan. Japan is the perfect place to plunk down a New Yorker. While it races along on one level, there is this other part of Japan that forces you to hit the mental brakes until the images racing by slow down enough to actually be seen! Eastern thought is a well from which to draw the pure water that clears the mind and strengthens the soul. I've had the unbelievable pleasure of turning visions into realities, and of having those pieces of me scattered around the world. I'm thrilled that they've found so much acceptance in exhibitions, and I'm humbled at the thought that they hang on the walls of museums. But I have to say that I am most pleased when they speak so loudly to another soul that that person has to bring me home to continue our conversation for years to come. For the last 18 years, I've been a teacher, too. I have all the joys of being able to step back from what I do, and think through the principles I've recognized and the pathways I've wandered. And then to offer those insights to others to help them bring out their own mental images for the rest of us to share. AWARDS National Collage Society, "Postcard Exhibit", Merit Award, 00 National Collage Society, Kent State U, Kent, OH, Merit Award, 99 Hazel Witte...

Embroidered textile painting Unique work Penelope or Parque of modern times, Barbara d’Antuono sews by hand like others recite mantras and decides nothing in advance. She lets images arise without any particular coherence with each other, but to which she gives substance in a kind of urgency, in the form of a strip not drawn but sewn. The exhibition, like the eponymous book, covers seven years of this assiduous and patient work through nearly 30 textile works, real freeze frames made of the emotions and memories of the artist, like so many portraits of humanity. . Her meeting in Haiti with Baron...

Textile painting hand sewn Unique art work Signed by the artist