(after) Keith Haring

KEITH HARING - Barking Dog YP x Keith Haring Design Neon LED Lamp. Pop Art

2024

Keith Haring Memorial 1990 (Keith Haring Baby, Keith Haring Barking Dog: Original screen-printed folding invitation with double-sided artwork publish...

Subway Drawing / Chalk on Paper Framed: 49 x 34 inch Unframed 44 x 29 inch About the Collection In January 2020, we were privileged to have our entire collection of Keith Haring sub...

Designed by Keith Haring for the legendary Luna Luna art amusement park and handcrafted by Gufram, Dog is a sculptural bench that transforms one of Haring's most recognizable charact...

Large Poster printed in 4 colors offset in France by Nouvelles Images S.A. authorized, as visible by the stamp, from the Estate of Keith Haring. Th...

Keith Haring Color Lithograph, circa 1980s. Retains vibrant colors. It measures an impressive 26.5" x 26.5" framed. It has been recently professionally framed in a clean lined white ...

Keith Haring Pop Shop bag c.1987: Rare original 1980s Keith Haring Pop Shop collectible featuring Keith Haring’s Three Eyed Smiling Face on a double-sided vinyl pouch. A classic 1980s Keith Haring Pop Shop collectible that is well-suited for display. Medium & Dimensions: Screen-printed heavy-weight vinyl pouch with sliding zip top. Double-sided. Approximately 9x9 inches. Condition: Well-preserved and in very good overall vintage condition. Unsigned from an edition of unknown; scarce. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened...

Peter Shire (American, b. 1947) "Springer Fos Dog," 1987, Painted metal sculpture Hand signed, titled and dated on foot, Dimensions: overall: 31"h x 49"w x 20"d Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures suitable for outdoors in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson, Peter Shire, Patssi Valdez, and Dave Lefner. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage...

Keith Haring Illustration art 1986: Rare seldom available 1980s Keith Haring illustrated New School university catalog featuring Haring double-sided cover art and a printed signature. Quite scarce, especially in good condition as presented here. Offset printed university catalog; Soft cover; 292 pages. 8.5 x 11 inches. Very good overall vintage condition with the exception of surface creasing in a couple of areas; well-preserved with crisp colors. Printed signature on lower left ("1985 Haring"); from an edition of unknown; published 1985/1986 by the New School (New York, NY). Haring credit further appears on the lower left interior of 1st pg: 'Cover art for New School by Keith Haring.' (See the 2nd to last image in listing). Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories: Keith Haring 1986. Keith Haring prints. Keith Haring cover art. Keith Haring catalog...

'Icons' is a portfolio by Keith Haring that brings together some of the artist’s most recognizable images, including figures, animals, and radiant forms that became hallmarks of his ...

Screenprint in colours on Lenox Museum board HC proof 1 of 15 aside from main edition of 100 76.2 x 101.6 cm (29.9 x 40.2 in) Framed: 105.4 x 131.5 cm, 41.5 x 51.8 in Signed, numbere...