Ed Ruscha I Don't Want No Retrospective (program)

1982

Ed Ruscha Nine Swimming Pools and a Broken Glass 1968: 1st edition of Ed Ruscha's Nine Swimming Pools and a Broken Glass. The highly collectible Ed Ruscha artsit book featuring prin...

Ed Ruscha A Few Palm Trees 1971 (1st edition): Hand-signed 1st edition of Ed Ruscha's A Few Palm Trees. The highly collectible Ed Ruscha artsit book featuring photographs of thirteen...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Jenny Holzer, Barbara Gladstone Gallery, New York, 1986: Rare vintage original 1980s announcement card published on the occasion of Jenny Holzer's exhibition, "Under a Rock," at Bar...

This poster, created for Ed Ruscha’s exhibition at Gagosian Gallery in Rome, features a striking image of parts of a tire ripped apart, set against a beige surface. The artwork’s fra...

Very rare original poster for Ed Ruscha's 2006 exhibition "Ed Ruscha: Photographer". The exhibition was held at Museum Ludwig from 2 September - 26 November in Köln (in cooperation w...

Ed Ruscha - ED IN BURGH - AMERICA'S COOLEST LIVING ARTIST, 2004 Scarce long sold out offset lithograph poster, published on the occasion of the Ed Ruscha exhibition at the Scottish ...

Lithograph on Rives BFK paper, torn and deckle edges