Hugo Velez.

Fishmongers II.

Baltazar Castellano Melo Guerrero, Mexico 12 x 18 in Technique: Linocut

The Deities of the River - (Las Deidades del Río). Oaxaca, Mexico. 2019.Technique: Oil Painting on Canvas.

Among Flowers, The Looks - (Entre Flores, Las Miradas). Oil Painting on Canvas. Oaxaca, Mexico. 2019.

Character among Quadrupeds. Technique: Oil Paint and Marble Dust on Canvas. Oaxaca, Mexico. Signed and Dated 2001.

This artwork "Market Scene" 1968 is an oil painting on canvas by noted Haitian artist Petion Savain, 1906-1973. It is signed and dated at the lower right...

A dynamic painting, Catch of the Day distills the essence of a timeless wilderness moment into a fluid silhouette. Painted in acrylic paint, the piece captures the instant of connect...

Artist: Julius Njau – Tanzanian (1961- ) Title: Untitled Year: 1987 Medium: Acrylic on Canvas Sight size: 27.5 x 36.5 inches. Framed size: 29 x 38 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair condition This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group. EXHIBITIONS 1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland 1984 'Group Exhibition' Gallery of Denmark 1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1985 'Julius Njau One Man Show' Tynset, Norway 1985 'Julius Njau One Man Show' Gallery of Sweden 1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya 1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya 1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya 1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya 1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya 1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya 1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya 1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya 1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan 1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya 1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain 1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya 1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya 1992 'Kenya Art...

Movement forms a distinct narrative thread throughout the artist's work. In this painting, the direction of movement is from right to left—from consequence back to cause. The woman l...