Bronze More Art

Pair of Porphyry Marble Columns with Gilt Bronze Capitals, 19th Century Porphyry marble & gilt bronze 20 x 4.25 x 4.25 inches Porphyry is an igneous rock, not marble, known for its...

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Plains Drummer medallion bronze by Allan Houser Apache Bronze medallion by Allan Houser Plains Indian drummer

Lofty mid century limited-edition chinoiserie console table by celebrated designers Philip LaVerne and Kelvin LaVerne and featuring an acid-etched and patinated polychrome bronze and...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Kiki Smith Sky, 2019 Gold plated (3 microns - 44 mm) bronze necklace with chain in original box 1 61/100 × 1 61/100 × 1/5 inches Edition 0037/300 Stamp numbered on the rim of the med...

Edition of 3 Acquired by current owner from Sotheby's Sale in 2021 Other works from this series have been acquired by The Whitney Museum of American Art, MOMA, National Gallery of ...

Chandan Das - Untitled Bronze H 18 x W 16 x D 5 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art &...

Flamenco Moon - (Luna Flamenca). Technique: Bronze Sculpture. Jalisco, Mexico.

Decorated with a cartouche on which the family coat of arms was probably engraved, this interesting small bronze object is a "cheer mortar" (also called a "mascolo" or "mastio" of ch...

B. Vithal – Horse – H 13 x W 14 x D 5 inches Bronze Born : 1935 Vardha Maharashtra Died : 1992 Education : Sir J.J. School of Art, Mumbai Exhibitions : Selected Posthumous Exhibitions 2013 'The Naked and the Nude: The Body in Indian Modern Art', Delhi Art Gallery, New Delhi 2011 'Agape', Hacienda Art...

Agathon LÉONARD (1841–1923) Lamp "Danseuse à L'Écharpe" "Dancer with the scarf" lamp A very rare sculpture forming a table lamp, made in gilded bronze The scarf hides the light bulb Signed on the side of the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) France circa 1905 height 60 cm A similar model is reproduced in "Les bronzes du XIXe siècle", P. Kjellberg, Les éditions de l'amateur, 2005, page 460. Biography: Léonard Agathon Van Weydeveldt, said Agathon Léonard (1841-1923) was a sculptor of Belgian origin naturalized French. After studying art at the Lille Academy of Fine Arts and then at the École des Beaux-Arts in Paris, Agathon Léonard settled in Paris for a long time, where after having exhibited at the Salon of 1868, he joined the Society of French artists in 1887, then to the National Society of Fine Arts in 1897. Very involved in the artistic movement of the Art Nouveau style, he exhibited many pieces (medallions, bronze statuettes and ceramics) finely worked. Following an order from the Manufacture Nationale de Sèvres, dating from 1898, Agathon Léonard exhibited at the Universal Exhibition of 1900 in Paris his famous table centerpiece "Game of the scarf" in porcelain biscuit, composed of fifteen statuettes representing dancers with pleated dresses reminiscent of Loïe Fuller's choreographies or Neo-Greek dancers...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...

A dramatic early 20th century Austrian Art Deco bronze Inkwell of a muscular male holding a scythe with one arm and wiping his brow with the other. The bronze has a rich dark brown p...

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Rare and remarkable limited-edition cabinet by celebrated designers Philip LaVerne and Kelvin LaVerne, titled Chan Li. The case is richly clad in acid-etched and patinated polychrome...

Subrata Biswas - Innocent Life Bronze, H 6 x W 11 x D 4.75 inches Style : The motive of a child in its most basic form appears quite repeatedly in the works of Subrata Biswas. The e...

Figurative cast bronze cachepot. This cachepot depicts two nude female figures floating along the top, as though they are immersed in water. Their hair is long and floats on the side...

Amlash JaAN is a contemporary symbolic figure, inspired by ancient mythological archetypes associated with prosperity and fertility. Evolving beyond its origins, it has developed int...

An exquisite figural bronze mantel clock with Putti leaning on clock face which sits on a fluted column draped in garlands and fabrics. Sitting on a r...

Tiffany Studios "Vine Border" Table Lamp, circa 1910 leaded glass, patinated bronze, shade impressed "Tiffany Studios, New York, 1488" base impressed "Tiffany Studios, New York, 533"...

A refined mid-century bronze bas-relief sculpture by Eric Bransby, depicting a female ballet dancer in an elegant arabesque pose, captured in a moment of balance, lift, and controlle...

Louis C. Tiffany Twelve-light Lily table lamp, ca. 1910 Patinated and acid-etched bronze and hand-blown favrile glass 20 x 16 x 16 in Provenance: Private Collection, California. Li...

This sculptural series presents Amlash-inspired figures emerging from engraved vertical forms inscribed with ancient symbolic codes. The surfaces incorporate planetary signs, numeric...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork.This exceptional artwork is currently on display and available for sale at Signet Co...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

A fine cast patinated bronze of a nude child holding a baby duck with its mother at his feet titled “Duck Mother” by Edward Henry Berge (1876-1924). Berge was born in Baltimore, Mary...

Sculptural custom-assembled bronze bench or low coffee table, executed in solid bronze with a naturally developing patina. The elongated minimalist form allows for versatile use as s...

Tiffany Studios "Vine Border" Desk Lamp, circa 1905 with a "Chinese" base, leaded glass, patinated bronze shade impressed "Tiffany Studios, New York, 1420" base impressed "Tiffany St...

Three Light LILY Table Lamp, 1900s Favrile glass, patinated bronze, two shades engraved L.C.T. F Avrile base impressed TIFFANY STUDIOS NEW YORK319 13 in

Gilded Bronze & Malachite Table with Vases Malachite Table 42"H x 34.5"W Malachite Pair of Vases 27.75"H x 8.5"W x 8"D An exceptional gilded bronze and malachite guéridon tab...

Bold and sculptural table lamp featuring a cast bronze panther head, finished in a dark, naturally aged patina that highlights its intricate modeling and expressive detail. The desig...

Striking decorative panther head sculpture cast in bronze, featuring a richly detailed form and a dark, naturally aged patinated finish that enhances its depth and presence. The piec...

Tushar Kanti Das Roy The green Tree Bronze Hight- 34 inch, length- 24 inch, Depth- 14 inch About the Artist & his work : Born : 1968. Education : He has completed his education from...

Tiffany Studios Fleur-de-lis candleholders with snuffers, set of two c. 1910 patinated bronze 8¾ h × 6⅜ w × 7⅜ d in (22 × 16 × 19 cm) Impressed to underside of each example 'TIFFANY...

'Macaw' is a stunningly elegant Bronze sculpture - what balance! Richard Smith conveys so much character in such simple lines, exemplifying a truly wonderful talent. The fantastic ri...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Pair of Bronze Busts, Antique Furniture Handles, 18th / 19th Century Pair of small bronze busts, formerly decorative pull handles or furniture mounts, probably from a cabinet, coin ...

Tushar Kanti Das Roy - Rakhal - 7 x 4 x 2.5 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft at Kol...

More than a creature, Birdman embodies transformation and duality. Is it a guardian, a trickster, or an internal self-reflection? Its bird-like head and humanoid stance invite viewer...

Tushar Kanti Das Roy - Rain-2 - 8.5 x 2 x 3 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft at Kol...

‘Wild Boar’, the striking new bronze sculpture by Ben Fenske and Richard Zinon, vibrantly illustrates the ‘new’ Renaissance currently under way. Ferocio...

Judaica Shabbat Continental Hanging Solid Brass Oil Lamp with Central Six Pointed Jewish Star Shaped Body Dimensions Approx: with Chain 23"H x 8 11 x 8 x 8 chain is 22" long Antique...

Chaim Gross Three little girls, three Graces. 1981. Bronze sculptural relief plaque mounted to verdigris marble. signed and dated on marble Marble approx 7.5" x 7" x 1.5". Bronze: ...

This sculpture reflects sacred familial bonds and the timeless values of unity, care, and continuity within the Amlash world. The relationship depicted embodies protection, harmony, ...

Stuart Mathews was a prolific sculptor who studied at the Art Institute of Chicago and Cranbrook in the 1950s. His work is characterized by his ability to combine a variety of differ...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Rus...

This sculpture honors one of the planet’s most endangered creatures—the northern white rhinoceros. With only two females remaining, the species stands at the brink of extinction. Zur...

Horse at Rest captures a moment of stillness that transcends exhaustion or defeat. The sculpture isolates the fallen body of the horse—not as a symbol of failure, but of surrender, m...

Both totemic and confrontational, Goat Head distills raw symbolism into sculptural form. With its broad horns and direct gaze, the piece evokes themes of sacrifice, instinct, and def...

Beat of the Drum Paul Moore bronze Native American man with Drum, headdress Paul Moore was born in Oklahoma City a member of the (Creek) Muscogee N...

Demetre Chiparus The Clown's Dream, ca. 1930 Bronze and marble 29 in Signed "Chiparus" and "J. Gazan" Provenance: Estate of Arlene Winnick, Beverly Hills, California.

A monumental 19th century patinated animalier cast bronze of a rooster & ermine (weasel), with varying titles including "Coq Guettant," "Coq Attaquant une Belette," and "Cockerel and...

Important bronze sculpture by Luigi Broggini “Dancer” Datable to the from the early 1940s. It is part of the series of Dancers created by the sculptor Broggini in the 1930s. The wo...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

A pair of gilded bronze torchere lamps with Alabaster shades on top and exquisite detailed bottom part supported by multi level round carved marble base. Measurement: 91”height x 2...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

Arnaldo Pomodoro Plaque (Placca), 1980 Bronze 3 4/5 × 3 4/5 inches Edition of 500 Incised signature on the front top left, and foundry mark on the bottom; Rotary Club of Palermo plaq...