Claudia Fauth

Claudia Fauth Abstract Painting on Canvas U 13, 2021

2021

Anthony Falcetta flimflam, 2025 acrylic, spray paint & gypsum compound on canvas 40 x 30 in. (fal020)

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

Ricardo Mazal Diamond 8, 2021 Oil on linen 86.5 x 94.5 inches 219.7 x 240 cm RM477 Ricardo Mazal, one of Mexico’s most prominent contemporary artists, is known for his lush abstract...

Color Block Geometric Abstract in Acrylic on Canvas Bright, balanced composition by an unknown artist (20th Century). This piece is minimalist in design but maximalist in color - bo...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...

#38, by George Vander Sluis, American (1915–1984) Date: 1967 Acrylic on Canvas, signed, titled and dated verso Size: 74 x 48 in. (187.96 x 121.92 cm)

Diamond II 2018 Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x48 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almost every drawing and panting were on display in his classroom. During his college years, in Vienna Austria, studying to become mechanical engineer, he continued to study art. His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where he finished his first small oil painting. Since then JARO painted on and off, until he opened his own studio in 1965 on East 4th Street in the Village. Here he created a series of well designed palette knife paintings in the style of abstract expressionism. JARO stretched off shaped canvases, making him one of the first artists working with these unique shapes. At the time JARO owned his own studio, he studied at the Art Students League 57th Street, New York.  Later in 1969, he studied in Woodstock for several years with John Pike, one of the foremost watercolorists in America, as well as, with Robert Angeloch...