Edward Granger

Gaia Dreams

2019-2020

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Untitled, 1998 Oil on canvas 35 3/4 x 35 6/8 x 1 1/2 in. Signed and dated lower right

Artist Comments
Artist Terri Bell presents a lively grid punctuated with organic shapes and linear patterns. The work serves as a metaphor for the ever-changing complexities ...

Tricia Strickfaden skillfully merges design and art in her work, crafting a visual experience that captivates the viewer. Through the skillful interplay of cool tones set against a p...

Abstract Composition by Hermine Roy (French 1941-2023) oil on canvas, unframed signed/ inscribed verso Canvas: 24 x 20 inches Provenance: private collection, France Condition: very g...

Represented by George Billis Gallery, NYC & LA -- JOHN BELINGHERI ​Artist Statement "Thoughts are patterns that bounce back and forth expressing the vacillating dialogue in my ...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Bold abstract composition by an unknown artist, "Moriarty". Signed on verso. Presented flush mounted to a wood frame.

Contemporary British artist, 21st century oil on board, framed framed: 19 x 23 inches board: 17 x 22 inches This came from a private collection of artworks by the artist, a few of wh...

Abstract. Vibrant. Painting. Shades of blues, greens and black. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations...