Eric Dever

August 8th

2016

In Untitled 7.1.25, Bryan Ricci presents a richly layered abstraction that moves between structure and release, color and gesture. Dense clusters of thick, block-like marks float acr...

Oil on yellow paper mounted on board. No visible signature but numbered "414" in pencil on reverse. Overall dimension of board is 15 x 16.75 inches.

the painting is being offered with a work and authenticity certificate

Untitled Acrylic and gold leaf collage on canvas, 2005 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 10 13/16 x 8 5/8 inches Support Sheet size: 17 x 14 ...

Gouache on paper. Signed in pencil, lower right corner.

In Untitled 10.4.25, Bryan Ricci creates small, deliberate strokes that gather across the surface, accumulating into layered fields of blooming color. These marks oscillate between p...

Steve DiBenedetto Reverse Epiphany, 2015 Oil on linen 20 x 18 x 1 inches Signed verso

Born in Lima, Peru, Victor-Raul Garcia was raised by his maternal grandmother with whom he immigrated to the United States at age 6. An abstract painter and collage artist, he has lived and worked in Europe and the US, and currently maintains his studio in Sullivan County, NY. His auto-didactic work is the result of a relentless passion to make his own reality, an innate resourcefulness and curiosity, endless days of continued experimentation, and an all-encompassing necessity to communicate through art. His art has been described as a subtle romance between expressionism and street art. By intertwining tactile and non-tactile elements through multi-layering techniques, he mirrors the complexities of his personal story, the absurdities of past and present history, and the altered state...

Octavia Art Gallery is pleased to present Aaron Collier: Of Rocks and Ruins. The “Everything You Need to Know” website that intends to prepare visitors for the breezy summit and sce...

Precious LIttle Acrylic on Canvas 30 x 40 x 1.5 2022 Edges painted white, back wired, ready to hang “Inspired in part by the energetic gestural marking of Joan Mitchelll, as well as ...