Frank Monaco

Gulfside Romance Large Abstract

2017

Artist Comments
Warm yellows and pinks blend with cool blues, evoking the ever-changing sky over the Gulf of Mexico off the west Florida coast. The colors are a kaleidoscope ...

Artist Comments
Vast fields of red, green, and brown meet and endless sky by artist Gary J. Noland. Part of his ongoing series of abstract landscapes, Gary paints bold stroke...

Artist: Enrique Kico Govantes (Cuban, born 1957) Title: Sunset Ocean Beach Year: 1996 Medium: Oil on canvas board Canvas board size: 11 x 14 inche...

Artist: Jack Graves III (American, 1988-) Title: "The Beach" Series: Abstract *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2025 Medium: Original ...

Beautiful multicolor abstract expressionist oil painting with pops of grey, yellow, orange, green and blue on a wood panel by Bay Area artist Michael Pauker (American, b.1957). Flush...

Original, oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle by the artist. Titled and dated verso 1983. Condition is excellent. Original gallery floating frame. Overall framed measurements are 38 by 42 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Bolder Strokes 14 Julia Marc, American Date: circa 1980 Oil on Canvas, signed l.r. Size: 48 x 84 in. (121.92 x 213.36 cm)

Acrylic painting. Abstract. Beautiful use of color About the Artist: All I've ever wanted to be and all I've ever been is an artist. From a very young age, my view of the world was...

Untitled 557 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Untitled 557 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...