circa 1980
"Egyptology" Figurative Painting 11" x 9" inch (1987) by Ibrahim Abd Elmalak
By Ibrahim Abd Elmalak
Located in Culver City, CA
"Egyptology" Figurative Painting 11" x 9" inch (1987) by Ibrahim Abd Elmalak Emancipation, 1987 Ink on Paper. Signed & dated The selection of Abd Elmalak’s drawings is reflective...
Paper, Ink
"Song of Peace" Figurative Painting 13 x 9 in (circa1980) by Ibrahim Abd Elmalak
By Ibrahim Abd Elmalak
Located in Culver City, CA
"Song of Peace" Figurative Painting 13 x 9 in (circa1980) by Ibrahim Abd Elmalak Song of Peace Ink on Paper Come in black frame Circa 1980 Signed. Not dated. The selection of Abd...
Paper, Ink
"Emancipation" Figurative Painting 25" x 20" inch (1997) by Ibrahim Abd Elmalak
By Ibrahim Abd Elmalak
Located in Culver City, CA
"Emancipation" Figurative Painting 25" x 20" inch (1997) by Ibrahim Abd Elmalak Emancipation, 1997 Ink & Acrylic on Paper. Signed & dated The selection of Abd Elmalak’s drawings i...
Paper, Ink, Acrylic
"Waiting I" Figurative Painting 27" x 21" inch by Ibrahim Abd Elmalak
By Ibrahim Abd Elmalak
Located in Culver City, CA
"Waiting I" Figurative Painting 27" x 21" inch by Ibrahim Abd Elmalak Ink & Acrylic on Paper. Signed & dated The selection of Abd Elmalak’s drawings is reflective of a compositional method that is based on free-flowing and distinct lines and contours that he uses to amalgamate caricature-Esque female figures with monuments and landmarks from his travels, script, animals, and natural elements into interconnected and unified tapestries. His selected paintings explore themes of entrapment, companionship, oppression, emancipation, and faith, which he explores and animate through his demure and virtuous women subjects...
Paper, Ink, Acrylic
"Arabian Nights" Figurative Painting 9" x 12" inch (1997) by Ibrahim Abd Elmalak
By Ibrahim Abd Elmalak
Located in Culver City, CA
"Arabian Nights" Figurative Painting 9" x 12" inch (1997) by Ibrahim Abd Elmalak Emancipation, 1991 Ink on Paper. Signed & dated View works. SHARE Abd Elmalak’s diverse portfolio exemplifies not only his versatility, but perhaps even more importantly his unique ability to blend the conventional and unconventional in thoughtful harmony, which esteemed Modernist and author Hussein Bicar (1913-2002) deemed a “highly intelligent duality between the kinetics of the universe and its stillness.” The selection of Abd Elmalak’s drawings is reflective of a compositional method that is based on free-flowing and distinct lines and contours that he uses to amalgamate caricature-Esque female figures with monuments and landmarks from his travels, script, animals, and natural elements into interconnected and unified tapestries. His selected paintings explore themes of entrapment, companionship, oppression, emancipation, and faith, which he explores and animate through his demure and virtuous women subjects...
Paper, Ink
"Waiting II" Figurative Painting (FRAMED) 19" x 11" in by Ibrahim Abd Elmalak
By Ibrahim Abd Elmalak
Located in Culver City, CA
"Waiting II" Figurative Painting (FRAMED) 19" x 11" in by Ibrahim Abd Elmalak Ink & Acrylic on Paper. Signed Signed The selection of Abd Elmalak...
Paper, Ink, Acrylic
Untitled Mohammad Ariyaei Contemporary Iranian art painting oriental art drawing
By Mohammad Ariyaei
Located in Paris, FR
Acrylic painting on paper Hand-signed by the artist lower left Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...
Paper, Acrylic
Abstract Composition - Oil Paint by Leo Guida - 1970s
By Leo Guida
Located in Roma, IT
Abstract composition is an original contemporary artwork realized by Leo Guida in 1970s. Mixed colored oil painting on canvas. Includes frame: 103 x 3 x 122 cm
Oil
Hanna El Sekran
By Fatima El Hajj
Located in PARIS, FR
Fatima El-Hajj, born in Lebanon in 1953, graduated from the Lebanese University’s Fine Arts Institution, the completed a second degree at the Leningrad Fine Arts Academy, and finally...
Oil, Acrylic
Abstract Composition - Oil Paint by Leo Guida - 1970s
By Leo Guida
Located in Roma, IT
Abstract composition is a contemporary artwork realized by Leo Guida in 1970s. Mixed colored oil on canvas Leo Guida (1992 - 2017). S ensitive to current issues, artistic movement...
Oil
Glory to the woman Mohammad Ariyaei 21st Century Iranian art outsider art paint
By Mohammad Ariyaei
Located in Paris, FR
Acrylic paint on paper Signed by the artist
Paper, Acrylic
Untitled Mohammad Ariyaei 21st Century Contemporary Iranian outsider painting
By Mohammad Ariyaei
Located in Paris, FR
Acrylic paint on paper Hand-signed « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...
Acrylic, Paper
