Jylian Gustlin

"Entropy 39" Abstract mixed media painting in red, white and light green

2019

Chase Langford has invented a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions recall maps and aerial photography of sea coasts, mountains, farmland and cities through a calculated execution and highly refined draftsmanship. Just as the West Coast Abstract Expressionists (1940 to 1970) found California’s striking landscape fertile ground, so does Langford as he draws upon his geographic environs both near and far. Through his cartographic mastery, Langford contorts and synthesizes geographic elements, bringing forth paintings that are mysteriously familiar yet surprisingly unconventional. They challenge conventions of geography and landscapes, offering invigorating visions of space and place that transcend any specific locale, leading us to an exhilarating emotional experience. Bio Chase Langford born in Pontiac, Michigan, is a Los Angeles-based artist well known for his geographically inspired paintings. He studied cartography earning a BA from UC Santa Barbara in Geography then worked as a cartographer at UCLA. Starting with his Map Paintings he literally reinterpreted geography by taking selected features from maps and filled in the reconfigured shapes in a flurry of color and movement creating a fresh take on familiar geographic forms. This followed with series that moved even deeper into pure abstraction with his Coldwater, Mulholland, and Scrape series which all lead to his Morphic series, now the core focus of his painting today. His paintings have been widely shown at one-person and group exhibitions in Los Angeles, New York City, Washington DC, Montreal, Palo Alto, Las Vegas, Long Beach, Napa Valley, Seattle, and Palm Springs and included many corporate/public collections (often site specific commissions) such as Long Beach Musuem of Art, Keck School of Medicine at USC, Michael & Susan Dell Foundation, Star City...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Presently I'm working on wood, I'm intrigued by wood grain swirling like water and how that ground moves through the swimmer's form”. Carol graduated from the Art Center College of Design in painting. For some 20 years she split her time between her loft in downtown LA and a beach bungalow in Hawaii- satisfying a passion for culture and the ocean's pull. In LA she painted backdrops...

"Page 5," Small Abstraction in Cream, White, Black, Tan, Red and Green. Flashe on Canvas, 14 x 11 Inches. This painting has a very sophisticated sensibility in that it is purely a...

Ricardo Mazal White Mountain 2, 2024 Oil on linen 38 x 52 inches RM571 Ricardo Mazal (b. 1950, Mexico City), one of Mexico’s most prominent contemporary artists, is known for his lu...

In Every Direction 7, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of rectangular sh...

The square bleed series begins with a perfectly measured square grid drawn on the canvas in pencil. as colors are applied and manipulated, the grid becomes a guidepost instead of an...