Katherine Filice

Common Ground (No. 2) Textural Abstract Painting on Wood, Contemporary

2025

Contemporary abstract painting by Katherine Filice featuring ink, stucco, and wax on wood panel, framed and completed in 2026. Created as part of Filice's "Common Ground" series, thi...

Abstract painting by Katherine Filice, created with ink, stucco, mica, charcoal, and found objects on a wood panel. Part of the artist’s "Common Ground" series, this work explores ma...

Abstract diptych painting by Katherine Filice created with layered ink, stucco, mica, charcoal, and found materials on two wood panels. Part of her "Common Ground" series, this work ...

Contemporary abstract painting combining ink, acrylic, stucco, and found objects on a wood panel. This piece from Katherine Filice’s newest series, "Common Ground" balances fluid ges...

Colt Seager (b. 1993) is an American painter and sculptor located near Chicago, IL. Inspired by the inherent holiness of the natural world, his work is rooted in a process-based appr...

Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...

Painting title: Microcosm 6 Size: Width 6 inches, height 6 inches, depth 2.25 inches (6x6x2.25) Colors: White, pearl, fuchsia, orange, yellow, gray and iridescent, metallic gold, copper, and silver Medium: Acrylic paint and mixed-media on a beautiful birch wood panel, resin varnish More about this painting: This is an original, one of a kind, hand-made painting. The colors used in this painting are white, pearl, fuchsia, orange, yellow, gray and iridescent, metallic gold, copper, and silver. The colors flow together, and there is texture on the surface from the metallic leafing. The edges of the painting (the sides of the wooden block) have been painted white. This lovely little painting can easily be hung on a wall, or placed on a shelf, table, or desk. A thick, shiny Art...

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...