Nancy Lorenz

Lemon Gold Relief

2015

Artist Commentary: Made with plastic bags, beeswax, oil paint and graphite Keywords: abstract, colorful Artist Biography: Toby Zallman has always combi...

"Yellow Graphite - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work - ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Fear and insecurity came uninvited to keep the artist company. Suddenly it became necessary to release the sensations that surrounded him day and night. At times the artist felt as i...

Yellow slip ceramic bas-relief by Patrick Crulis. 2025. Unique piece. H : 22.4 x 15.7 x 4.3 inches. Approximate sizes. - Born in 1965 in Versailles, he lives and works in Les Arche...

BONNIE MAYGARDEN says of her work… My work is informed by and reacts to a culture defined by a digital experience, yet the work’s imagery is created entirely by hand, using only pai...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Gary Komarin Lemon on Slate (From Fifteen Vessels at Kit Mandor), 2018-2021 India ink and water-based enamel paint on Stonehenge creme paper with deckled edge. 76.2 x 58.4 cm Eschew...

Yellow Line (Abstract Painting) Acrylic on canvas. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during ...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...