Style Moderne, Mid-Century Abstract Oil on Canvas, Textured, 65x92 cm

1960s

20th century modern abstract oil on canvas titled 'Rectifie', attributed to French artist Norbert Palmade. The painting is not signed but was bought from his atelier and with a collection of his paintings and is therefore attributed to him. The work is titled and dated to the rear stretcher. A highly colourful, energetic and impactful painting. The painting is very thickly applied in an impasto technique in parts and is therefore also somewhat sculptural as a piece of art. Sand has been added to the paint to give the image great texture. A strong and impactful painting, a statement piece in any room. Norbert Palmade spent much of his early years living in Morocco. He arrived there in 1930 at the age of two and stayed until 1947 when he returned home to France. He finished his schooling in Hyères in the south of France, then travelled up to Paris to study architecture, though he always yearned to return to the South of France. In Paris, aged 25, he set up a public works business and worked as an architect right up until his retirement in 1991. Throughout this journey Palmade never stopped painting, at first in watercolours. He had always drawn, then moved on to gouache, oil and finally in the last twenty years, acrylic. The latter suited his rapid handling of paint well. He says of himself that he had no particular speciality. He would paint whatever gave him pleasure, although a large part of his heart belonged to those early years in Morocco and he painted many a canvas with subjects from this country. He took part in exhibitions in a number of towns near the south coast of France including, Sanary, Le Pradet and Ollioules. He was also the guest of honour at the Academy of the Var. Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times. Sonia and Robert Delauney...

Large 1970s abstract geometric acrylic and oil on plywood panel signed Rivel and dated 1977 to the bottom left. The painting is titled to the rear of the panel. Numbers of colour fields in muted shades jostle against one another. It is the shapes and the space between them which give energy to the painting whilst the colour palette restrains. The painting is highly textured as the artist has applied the paint thickly and energetically with both palette knife and large brushstrokes. At times layers of paint reveal underlying colours. This painting fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...

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Oil on Canvas by Carlos Carnero. He was friend and pupil of Fernard Léger and friend of the most important artist of his time, such as Picasso and Matisse. This is from his abstrac...