Serge Guerin (1916)

Mid Century French Geometric Abstract in Multicolour Gouache on Paper

Charles Fodor (American, 20th Century) Composite #6, 1969 Oil on canvas Signed, dated and titled verso 27.5 x 20 inches 29 x 21.5 inches, framed

Nicely painted large geometric abstract painting. Oil on canvas. Framed. Image size, 48 by 36 inches.

A W Wallis Geometry in Abstraction Gouache 21 x 26 cm Signed to reverse Provenance: The family of A. E. Halliwell Little is known about the artist A W Wallis, though the fact tha...

Add a bold touch of mid-century modern flair to your collection with this striking abstract geometric painting. Featuring vibrant hues of red, yellow, and blue, the composition capti...

Original Abstract Gouache Painting, by Joseph Dunn, American, circa 1990s. It measures an impressive 33.5" width x 25.5" height framed. It has been recently framed in a clean lined b...

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...

H. Wilson Smith (1901-1981) California Artist Oil on board in the original frame. Painting measures 24 x 20. Frame: 25 x 21. Titled on the verso “Nude - Automatic Elevator” Signed lo...

Contemporary abstract painting in gouache and pencil on paper in a black rectangular frame (TOM JOHN, 2010) (12 more similar pieces: JOH6200-JOH6212)

An outstanding post‑cubist geometric composition by André Morin (France, 20th Century), this dynamic work—executed in gouache and watercolor—showcases the artist's command of color, ...

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...