Seth Clark

Fragmentation Installation No. 44: Abstract Acrylic on Wood Panel

2018

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

"Fragmentation" abstract painting varnish pigment on wood panel 145x145cm give meaning, give meaning to change day by day to discover new perspectives, enter the space of this painting, discover by following a detail a new light or fragmented path a surprise, a blue reflection maybe purple at that moment in this place that disappears at the first movement to return unexpectedly taunt you from the corner...

Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

"Recomposition" abstract painting varnish pigment on wood panel 77x1915cm black red The first step is the assembly of a thick paste covered with gold and silver color that intensifie...