Seymour Franks

"Tempole" Seymour Franks, Bright Red and Yellow, Abstract Mid-Century Painting

1948

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso dated 1963-1965 oil painting on canvas, unframed canvas size: 39 x 20 inches condit...

Nan Van Ryzin (American, born 1952) "Strong Passion" 2020 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Strong Passion" is a monumental 76” x 96” ab...

This interesting British Abstract oil painting is by artist Peter Field. Painted circa 1955 on canvas and hung as a landscape, the composition is red oblongs on a mostly red and oran...

SONGBIRDS, Original Contemporary Red Abstract Expressionist Painting 36" x 48" x 2" (HxWxD) Oil on Canvas Hand-signed by the artist. Though entirely abstract, the rich red that dominates this large-format painting, along with the general layout of its composition, bear a striking allusion to The Red Studio by Henri Matisse. It is as if artist William O'Connor has produced an abstract expressionist take on Matisse's beloved workspace in a more modern and contemporary painting, utilizing spontaneity, energy, and bold design. The bright palette is both striking and refreshing and is sure to be a focal point in any room you hang it in. Unframed. Canvas edges are painted white. Artist Commentary: Three years ago we moved to our home in Glendora. Our efforts growing flowers and maintaining gardens provides a haven for many birds and animals. I hung up a finch bird seed feeder outside my studio. It attracted a flock of around 50 Gold Finches. While I would paint, they would eat, sing, and fly back and forth to the bird bath for water. It was magical. However, our two beautiful outside rescue cats thought the whole flock was for them. Needless to say, I had to stop feeding the Gold Finches. I no longer have the finches...

This superb Abstract Expressionist Scottish oil painting is by noted artist William Gear. It was painted in 1959 and is entitled Red Idol 2. This abstract com...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

Large Yellow and Red Abstract Painting by Carol Bertrand . Carol Kuhlman Bertrand grew up in Missouri and studied Occupational Therapy at Mount Mary Co...

This superb British Abstract Expressionist oil painting on board is by noted artist Bernard Kay. It was painted in London in 1955. This striking painting is a mix of shades of black ...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

A great abstract composition by the well known french painter Pierre Jourda, (1931-2007), painted in 1958. An important dimension, it is not framed. Pierre Jourda À Paris, il décou...