Unknown

Signed Vintage American School Modernist Winter Cubist Framed Landscape Painting

1960

Antique American landscape oil painting. Oil on board. Signed. Framed. Measuring: 15 by 12 inches overall, and 12 by 10 painting alone. Excellent condition, ready to hang and enjoy.

Antique American modernist landscape abstraction. Oil on board, circa 1940. Signed. Image size 30L x 25H. Housed in a period modern frame.

Antique American landscape painting. Oil on canvas. Signed on verso. Measuring: 24 by 31 inches overall and 22 by 30 1/2 artwork alone. Framed in a wooden molding. Great condition, ...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

5124 Impressionist landscape oil painting by Leona Kock

A beautiful wooded landscape scene with houses and trees. Painted on a masonite board. hand signed lower right. with framers label verso. Framed to 40 X 55 inches. 33 X 48 without the frame and mat. It is not dated. Lena Gurr (1897–1992), was an American woman artist who made paintings, prints, and drawings During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Born into a Russian-Jewish Yiddish speaking immigrant family, she was the wife of Joseph Biel, also Russian-Jewish and an artist of similar genre and sensibility. Gurr used Lena Gurr as her professional name. After marrying Joseph Biel she was sometimes referred to as Lena Gurr Biel. Biel had been born in Grodno, Poland (later absorbed into Russia) and had lived in England, France, and Australia before coming to New York. An artist, he specialized in landscape paintings and silkscreen printing as well as photography. He studied art at the Russian Academy in Paris. After immigrating to the United States, he studied under George Grosz at the Arts Students League. Gurr was born in Brooklyn and, apart from brief stays in Manhattan and in Paris, lived there her whole life. This painting bears the influence of Lyonel Feininger an influential German American artist. Gurr began studying art at a young age. In 1919 she studied painting and printmaking at the Educational Alliance Art School and between 1920 and 1922 she won a scholarship to attend the Art Students League where she took classes with John Sloan and Maurice Sterne. In 1926 and 1928 Gurr participated in group shows at the Whitney Studio Club in Greenwich Village and in 1928 she also participated in the 12th annual exhibition of the Society of Independent Artists at the Waldorf Roof in New York. (Reviewing this show, Helen Appleton Read, the critic for the Brooklyn Daily Eagle, said "I made three discoveries on my first visit, Thomas Nagel, Eugenie McEvoy and Lena Gurr with two figure compositions which have something of Marie Laurencin or Helene Perdriat quality of naive sophistication.") The Waldorf Roof was a set of rooms on the top floor of the Waldorf Astoria Hotel, one of which had glass sides and a glass roof. The rooms were used for concerts, dances, benefits, and exhibitions.From 1929 to 1931 Gurr took a leave of absence from her teaching position to travel in France with Joseph Biel, an artist whom she had met while studying at the Art Students League. They spent time in Nice and Mentone but mainly in Paris. During the early months of 1931, while she was still abroad, her work appeared in group exhibitions held at the R. H. Macy department store and the Opportunity Gallery (opened by Gifford Beal). In 1932 she participated in three shows: a solo exhibition at the Brooklyn Museum, an annual exhibition of the New York Society of Women Artists, ( Its first president was Marguerite Zorach. Founding members included Agnes Weinrich, Anne Goldthwaite...

* No US duty or taxes to pay on works of art * A beautiful mid 20th century French post-impressionist oil on canvas depicting a winter landscape with figures on a path. Excellent ...

A serene winter landscape by Texas artist J.W. Thrasher, rendered in oil on board with a distinctly mid century sensibility. Thrasher’s brushwork is both expressive and restrained, o...