Yvonne Love

Alluvial Plain

2015

Oil on wood, 2007 Handsigned by the artist in pencil LCD4510

A Sculptor's Full Circle, Yoichi Tamaki at Alex - Washington Post (April 1, 1999). Judging from his lively exhibition at Alex Gallery, Yoichi Tamaki wo...

Artist Comments
Artist Terri Bell executes abstract sound waves into uniform horizontal lines. Each pattern stream sets the background apart in mesmerizing brown and beige sp...

PSRM 2018 Mixt Technique Canvas on chassis Signed lower right Certificate 130 x 85 cm 1800 euros

Acrylic on canvas.

This artwork "Untitled" is an oil painting on canvas by noted American artist Ruth Wall, 1917-2009. It is signed in the back by the artist. The canvas size is 10.15 x 20 inches, framed size is 13.85 x 22.75. It is custom framed in a wooden gold frame. The painting is in excellent condition, the frame has some scratches and will be replaced if buyer wish, by a similar (not exactly the same) gold frame when is sold. It will be done at no extra cost. This will bring the over all condition to excellent. About the artist: Ruth A. Wall was born in Wyoming on September 10, 1917 but moved to a homestead on an Indian reservation in Uintah, Utah in 1919. After graduating from high school at age 16 she left home to attend college, graduating at age 20 and began teaching high school at age 21. She moved to Los Angeles where she became an Army materials inspector during WWII. She moved to Northern California and became a pilot, but entered the service as a WAC. Here she trained as a physical therapist and became an officer. She remained in the service until 1949. In 1950 she entered the California School of Fine Arts in San Francisco, studying there until leaving for Paris in 1952 where she moved into the Academie Frochot. Returning to the CSFA in 1955 she worked as an artist until she had to take a job to make a living in 1957. Most of her work in printmaking was done in 1952, before leaving for Paris. They are, for the most part, gestural, Abstract Expressionist lithographs, done on the press at the CSFA at night after everyone had gone home. Her teachers were James Budd Dixon, Robert McChesney and, after 1955, Nate Oliviera and fellow students included James Kelly...

04–14, 2016 Oil on canvas, 36 x 42 inches (91.4 x 106.7 cm) Signed and dated on verso: Madeline Peckenpaugh / 2016 Provenance The artist; Private collection, Haverford Madeline Pec...

PS1 Mixt Technique On key frame 2018 40 x 40cm Signature and certificate 600 euros

Youri Leroux comes from the North of France, a region whose landscapes have seduced so many artists. Born in 1972, now married with three children, he is characterised by his reserve, his typical northern France inwardness and his sentimental attachment to his family and his origins. From a very young age, he showed great interest in art and any thing that gave free reign to his imagination. He attended classes offered by painting workshops At the age of sixteen, he went to the Saint-Luc Institute in Tournai (Belgium) where he studied new arts teaching and met famous artists. He later attended architecture and design classes. After gaining his diploma in 1999, he joined an architect’s office in Lille (France) where he worked principally with volume, colours and the enhancement of light. His first exhibition was held at Le Masquerel (France) and included fifteen artists. He sold his first paintings. The highlights of 1997 and 1998 were his wedding and the birth of his first child. His painting evolved, his work focused more on the curves of the female body and the plumpness, sensuality, shapes and shadows that it emanate. After traveling in North Africa, be began to focus on his backing material – sand was a very successful and impressive medium, giving the viewer the urge to approach and caress his paintings. In 2000, he traveled to New York, where he feasted on verticality and asymmetries that were in sharp contrast to his supple work on the female body. In early 2001, encouraged by true art lovers and the success of his paintings, he left his job as an architect to devote himself to his art. He subsequently applied these geometric ideas in a literary theme, more intimate and reassuring – perspectives, depth, repetitions, an enormous library or just three books with straight lines and the effects afforded by contrasting materials. Looking out from his open workshop, many things inspire him. Through the lovely Breton coast, he reveals to us his third pictorial theme – the combination of feminine curves and asymmetric libraries suggest old sailboat...

Work by Sam Moyer