Emil Morhardt

Loon with Chick, Original Painting

2023

Artist Comments
Sometimes these handsome ducks, who feed at the Santa Barbara Bird Refuge by plowing through the water with their bills open, take a break from shoveling and ...

Artist Comments
Artist Emil Morhardt photographed this goose from a small boat on the Multnomah Channel in Portland, Oregon. "It was serenely paddling along just a few feet a...

Artist Comments
A pair of sandhill cranes stand on opposite sides, their intense eyes seemingly watching each other's backs. Their stoic stance accentuates as the pond they inhabit fades into the grayish rainy mist of California's Central Valley in early winter. Rendered with a loose, watercolor-like technique, the birds' portrayal carries an expressive touch.

About the Artist
Emil Morhardt is an acrylic painter from Santa Barbara, California who expresses his passion for birds through realistic acrylic paintings. He paints at home in a studio room that has large windows and a north-facing view of the mountains. He observes the animals from this window, watching roadrunners, foxes, bobcats, deer, and coyote run by. Surrounded by this wildlife, Emil paints bird portraits reminiscent of those by artist John James Audubon. He bases his paintings off hundreds of photographs he takes of birds in the wild and at wildlife recovery centers. Emil captures the freedom and inquisitiveness that birds display...

Artist Comments
"Ravens look highly intelligent," says artist Emil Morhardt. "This one was slowly and purposefully striding back and forth about ...

Antique Common Loon Bird Lithograph, Colymbus Immer Scandinavian Natural History 1929 Description: This elegant Scandinavian ornithological lithograph depic...

Mystical Voyafers, is a limited edition offset print by award winning contemporary artist Michael Budden that showcases a pair of loons in their natural environment created in an imp...

This artwork titled "Young Loons, 1990 is an original color lithograph by Canadian Inuit noted artist Pitaloosie Saila. 1942-2021. It is hand signed, titled, dated, located, described and numbered 34/50 in pencil by the artist. The subject size is 38.75 x 23.25 inches, sheet size is 44 x 30 inches, framed is 51.75 x 37.25 inches. Custom framed in a metal frame, with grey/blue backing. It is in excellent condition. About the artist: Pitaloosie was born in 1942 on the southwest coast of Baffin Island near what is now the community of Cape Dorset. She spent her childhood years in various hospitals in Quebec and Ontario for treatment of tuberculosis. She learnedEnglish during this time, and recalls the difficulty she experienced in relearning her native language upon her return to Baffin Island in 1957. She is now one of the few of her generation who speak both English and Inuktitut fluently. Pitaloosie began drawing in the early 1960’s, and quickly established herself as a versatile and intelligent graphic artist. Over the years, she has become a familiar presence in the Kinngait Studios, and her work has been included in annual print collections since 1968. Since the late 1960’s, Pitaloosie has made frequent trips to southern Canada to attend exhibitions and conferences. In 1967, she spent several weeks in Toronto while her husband, the well-known sculptor Pauta Saila, participated in an International Sculpture Symposium. Subsequently, she has visited Halifax, Toronto, Ottawa, Kansas City and Vermont. Her work has been featured in solo drawing exhibitions, and in 1977, Canada Post issued a stamp depicting her print, Fisherman’s Dream. Her 1985 lithograph entitled In the Hills represented the Northwest Territories in the centennial celebration of the National Parks of Canada. Amnesty International, the international human rights organization, selected a drawing by Pitaloosie entitled Mother and Child to use for their 1990 Christmas card. She was also one of nine featured artists in the acclaimed exhibition Isumavut: The Artistic Expression of Nine Cape Dorset Women, which opened at the Canadian Museum of Civilization in the fall of 1994 and continues to travel to other venues. Pitaloosie’s husband, Pauta, passed away in Cape Dorset in June of 2009 at the age of 93. In 2004, both she and Pauta were appointed members of the Royal Canadian Academy of the Arts, in recognition of their life’s work and contributions to Canadian art. Selected Exhibitions: • 2019 60/60, Feheley Fine Arts, Toronto • 2016 Pitaloosie Saila: A Print Retrospective, Feheley Fine Arts, Toronto • Toronto • 2003 The Inuit 2004 Sanaasimasiatok/Fine Works: Sculpture from Cape Dorset, Feheley Fine Arts, Icon: Selections from Private Collections, Feheley Fine Arts, Toronto • 1996-1997 Pitaloosie & Pauta, McMichael Canadian Art Collection, Kleinburg, ON • 1994 – 1995 Isumavut: The Artistic Expression of Nine Cape Dorset Women, Canadian Museum of History, Gatineau, QC • 1993 – 1994 Contemporary Inuit Drawings, Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA • 1991 – 1992 In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection, Kleinburg, ON • 1989 – 1991 Kenojuak Ashevak...

Antique print titled 'Colymbus Glacialis'. This print depicts the common loon (Dutch: ijsduiker). The common loon or great northern diver (Gavia immer) i...