Robert McCauley

Cornucopia

2017

“Twist” juxtaposes nature’s splendor, merging birds, butterflies, and starfish in a stunning composition. Dominated by a central bird, likely a cockatiel, the piece features intricat...

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...

Original oil painting on gallery wrapped canvas by artist Andrada Trapnell.

Original. Part of Candy Wrapper Collage series in Pop Art style. Natural wood frame. Inside a dog's dream. About the Artist: Benjamin received her Bachelor’s Degree in Fine Arts from the American University in Washington D.C. and her Master’s Degree in Art Education from New York University. In addition she received an Associate’s Degree in Textile Design from the Fashion Institute of Technology and studied at The Art Student’s League, The Parson’s School of Design and The New School. Benjamin taught art for 34 years. While on sabbatical from teaching she studied textile design. For the next 15 years she continued to teach, as well as freelance as a textile designer in both home furnishings and the apparel markets. In the mid 90’s her focus turned towards computer graphics, and as an art educator, she incorporated this into her curriculum. She was awarded for a “successful practice in crossing the digital divide through art and technology” by the United States Department of Education. Her early works were oils and acrylics. During the late 60’s her interest was in pure abstraction. Pop Art and the human figure began to interest her in the early 70’s. Gradually, Benjamin was drawn to experimenting with mixed media. In the 80’s there was the influence of a career in textile design that moved her towards a more decorative style. In the 90’s, she became involved in the teaching of computer graphics. This was to have a profound influence in aiding and developing a more recent “POP” style. She began to incorporate into her paintings, torn pieces of digital printouts of her subjects. “The part of me that is the “digital artist” became very inspired by the use of the computer as a tool with which I could manipulate my subject and its color energy. The “fine artist” in me was then able to incorporate these concepts into a new image on my canvas. Having always had an interest in mixed media, my current work is now a combination of both POP and Collage. Since 2008 I have been creating a body of work dubbed “Candy Wrapper Collage”. A juried show’s theme, “gluttony”, challenged me to ultimately explore my POP figures through a new medium….candy wrappers! Razor blades are my new paintbrushes and candy wrappers are my new paints. Utilizing torn, cut and expired candy wrappers and their packaging, I render my subjects in diverse and colorful forms. I create representational images of celebrities and pop-culture objects...

Linda Mitchell (born Atlanta, 1960) grew up in a family that nurtured her strong, early interest in both animals and making art. As a child, she started painting, making animal figur...

Animals, Leopard, Panther, Fishes, Foxes, Monkeys, Turtles, Octopuses, Flowers, Underwater Plants, .... “Everything that surrounds me affects me. Memories, politics, nature, people,...

Artist Comments
The bison and the beetle have a prehistoric elegance about them that I thought would compliment each other perfectly. Symbolically, both represent life and mortality, which has been on my mind lately. To Native Americans, bison are symbolic of sacred life and abundance. And in ancient greek mythology the beetle became revered as a symbol of rebirth and immortality -- its daily journey across the sky became an allegory of human life. The Wallpaper collection is a juxtaposition of masculine meets feminine. I wanted to create a unique series that stands apart from traditional nature paintings, where the wild and somewhat prehistoric aspects of my animals featured contrast against their delicate backdrops. In addition to this, many of my paintings are created with a little bit of underlying symbolism usually sparked from a world event or life moment that I am experiencing. I concentrate on this theme as a therapeutic mantra throughout the creation of the painting. For each painting, different techniques and layers of design are implemented when creating the wall paper effect. To keep the patterns consistent I create a stencil to outline the shapes of my hummingbirds, bugs and fish, and then I hand paint each shape individually. In the areas where I wanted a little more chaos, I would forgo the stencil and eyeball each design. My animals are always painted first, and then I layout the design around them.

About the Artist
Australian-born Alana Clumeck...

Contemporary artist, Augustina Droze, uses animals as symbols to describe her personal lived experiences. Her current body of work explores her life as a foreigner, her gaze upon the...

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

Artist Comments
A tortoise hangs suspended by a hook, with daisies resting gently on its shell. The composition blends realism and surrealism, inviting reflection on captivit...