DAIN

Fun 18

2019

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Snapshot" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 68 inch tall by 52 inch wide vertical artwork includes bright neon colors and sparkle. Pinar Du Pre's fusion of materials - acrylics, printed elements, and layers of gilt captured under an epoxy lens - represents the layered reality she aims to depict. The sides of this canvas are painted metallic and it does not require framing. Pinar Du Pre has signed, titled, and dated this original artwork...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contem...

“Electro Magicism” features a side profile of a woman's face, seamlessly merging vibrant abstract elements with detailed realism. The piece juxtaposes vivid splashes of color with monochromatic tones, creating a dynamic visual contrast. A kaleidoscope of reds, blues, yellows, and pinks bursts from her hair, interwoven with roses, symbolizing both beauty and chaos. The lower part of the figure subtly transforms into a skull, introducing themes of life and mortality. O'Connor expertly combines sharp lines and soft blends, highlighting the delicate features of the woman's face while maintaining an ethereal quality. The juxtaposition of bold graffiti-like textures with intricate line work adds depth and complexity, inviting the viewer to explore the interplay between life, death, beauty, and decay. This captivating composition is a testament to the artist's skill in blending disparate elements into a cohesive, thought-provoking visual narrative. Danny O’Connor (1981) is an artist living and working in Liverpool, UK. He studied Graphic Arts at Liverpool John Moores Art School. His paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn’t settle with convention. He claims: “As well as the more widely acknowledged paint and brush, I use all manner of mediums such as, Correction Fluid, Spray Paint, Ink, Paint Markers, Texture Pastes, Charcoal, Graphite, Oil sticks and Collage. All applied in an equally diverse manner using brushes...

Don't Be Fooled By The Pure Persona (She Breathes Fire) "The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an...

Original Hand Signed by Johnathan Ball Johnathan Ball has been working for more than 15 years to establish a style of painting that transforms the ...

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As...

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As...

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As well as the more widely acknowledged paint and brush the artist uses all manner of mediums, such as Correction Fluid, Spray Paint, Ink, Paint Markers, Texture Pastes, Charcoal, Graphite, Oil sticks and Collage. All applied in an equally diverse manner using brushes...

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Giclée print in colors on somerset paper. Hand signed lower right and left by Sandra Chevrier and Martin Whatson. Hand numbered 247/295 lower left. Artwork size: 39.5 x 27.5 inche...