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Arbit Blatas
Chez Andre
1965

Name: Chez Andre
Brand: Arbit Blatas
Rating: 4.9 (41 reviews)

$32,500List Price

About the Item

Masterpiece from Arbit Blatas, never for sale before, from the family collection. Arbit Blatas Arbit Blatas (né Nicolai Arbitblatas) was born in Kaunas, Lithuania on November 19, 1908. He was a precocious talent who began exhibiting in his native country at the age of 15. Soon afterwards, he left for Paris and, at the age of 21, became the youngest member of an illustrious group of artists known as the School of Paris. When Blatas was 24, the Jeu de Paume in Paris acquired its first painting of the young artist, who had already become a colleague and friend of many of the great figures of the Paris art world, such as Vlaminck, Soutine, Picasso, Utrillo, Braque, Zadkine, Léger and Dérain. He was to paint and sculpt them all, as well as Bonnard, Vuillard, Matisse, Dufy, Van Dongen, Cocteau, Marquet and many others. His 30 portraits in oil and bronze are considered a unique document of the painters and sculptors of that dynamic period in 20th-century French painting.. In the 1930s, Blatas exhibited in London and New York, as well as in his adoptive home of Paris. Fleeing Nazi-occupied Europe in 1941 for the United States, Blatas became an American citizen and solidified his reputation among the front ranks of contemporary American painters. After the war, Blatas divided his life between New York and France, where, in 1947, he was elected a life member of the Salon D’Automne. His life-size bronze of his colleague and friend Chaim Soutine, created in 1967, was highly admired by André Malraux. In 1987, the City of Paris installed the statue in Montparnasse in the square of the Gaston Baty and conferred on Blatas the Médaille de Vermeil. A life-size statue of another close friend and colleague, Jacques Lipchitz, now stands in the garden of the Hotel de Ville next to the Museum in Boulogne. In 1978, Arbit Blatas was named Chevalier de la Légion d’Honneur by the French Government for his contribution to French art as an outstanding member of the School of Paris, and in 1994 was promoted to the rank of Officier de la Légion d’Honneur. The Holocaust Blatas’ parents were deported from Lithuania in 1941. His mother died in the Studthof concentration camp. His father miraculously survived Dachau; after the war, Blatas returned to France to bring his father with him to the United States. After the death of his mother, Blatas turned his back on the Holocaust until the late 1970s, when it burst forth in the artist’s oeuvre and remained a recurring theme in many major works. His black-and-white drawings memorializing the unspeakable events of that time appeared in the 1978 American television series, “Holocaust.” The drawings became the basis for four public memorials, consisting of seven powerful bas-reliefs, known as The Monument of the Holocaust, now on permanent display in four countries: Italy, France, The United States and Lithuania. The first edition of this monument was installed in the historic Ghetto of Venice on April 25th, 1980, the National Holiday of Liberation from the Nazis. On that occasion, Mayor Mario Rigo decorated Blatas with the gold medal Venezia Riconoscente. On September 19th, 1993, in the same Historic Ghetto of Venice, President of Italy Oscar Scalfaro honored Blatas by personally dedicating his sculpture The Last Train, a monument honoring the 50th anniversary of the deportation of the Jews from the Venetian Ghetto. The second edition of The Monument of the Holocaust was dedicated at the Shrine of the Unknown Jewish Martyrs in Paris on April 23, 1981. The third edition was placed by the Anti-Defamation League in Hammerskjold Plaza, across from the United Nations in New York on April 25, 1982. In 2009, this edition was installed permanently at the Hebrew Union College-Jewish Institute of Religion in New York City. In 2003, the fourth and final edition of this powerful series of sculptures was donated posthumously by his widow as part of the consecration of the memorial at Fort Nine in Blatas’ native Kaunas, Lithuania, the notorious location from which Blatas’ parents were deported in 1941. Marcel Marceau and The Threepenny Opera Two other major subjects became leitmotifs in Blatas’ work: Marcel Marceau and The Threepenny Opera. Both inspired the artist in paintings, sculpture, and a third medium for which Blatas became widely appreciated: lithography. Beginning in the 1950s, the artist’s great friend, Marcel Marceau, appears in all shapes, poses and sizes: from large portraits to small-scale studies, to sculptures, to sets of lithographs that capture the famous mime in mid-air. Through a magical coincidence, Blatas attended the world premiere of The Threepenny Opera in Berlin in 1928; the groundbreaking musical theatre work by Kurt Weill and Berthold Brecht would inspire Blatas for the next 70 years. His canon of work depicting scenes and characters from The Threepenny Opera includes 18 portraits, 10 sculptures, several large canvases and sets of color and black-and-white lithographs. The outstanding preface by the legendary Lotte Lenya, Weill’s widow, to the first edition of Threepenny lithographs, published in 1962, pays tribute to Blatas’ profound understanding of the work. In 1984, the Threepenny Opera exhibition was displayed at Venice’s Teatro Goldoni; in 1986, at the Museum of the City of New York and the Goethe Institute in Toronto. In May 1994, the Grosvenor Gallery in London presented the exhibition called “Arbit Blatas and his World of Music and Theatre.” In 2000 and 2001, respectively, the entire Threepenny Opera collection appeared as part of Kurt Weill Centenary celebrations at Belmont College, Nashville, Tennessee, and the Leubsdorf Gallery, Hunter College, New York. Career as Stage Designer During the 1970s and 1980s, Blatas designed scenery and costumes for nine international opera productions in collaboration with his wife, the renowned mezzo-soprano, Regina Resnik, as stage director. These productions included Elektra (Teatro La Fenice, Venice; Teatro Sao Carlos, Lisbon; Opéra du Rhin, Strasbourg); Carmen (Hamburg State Opera); Salome (Teatro Sao Carlos); Falstaff (Teatre Wielki, Warsaw; Teatro la Fenice; Teatro Sao Carlos; Festival of Madrid); The Queen of Spades (Vancouver Opera Association; Sydney Opera House); and The Bear and The Medium (Teatro Sao Carlos). The 1980s and 1990s saw major exhibitions of Blatas’ work, including several devoted to the School of Paris. In Venice, in 1982, the School of Paris portraits became a major exhibition at the Church of San Samuele under the joint auspices of the Mayor of Paris, Jacques Chirac, and the Mayor of Venice, Mario Rigo. Le Musée Bourdelle offered the first major exhibition in Paris of the portrait collection in 1986. In 1990, the entire collection of the School of Paris, portraits, drawings and bronzes, were shown at the Musée des Années Trentes in Boulogne-Billancourt, which subsequently acquired the entire collection now permanently installed in galleries dedicated to Blatas. In 1996, the Eastlake Gallery of New York presented Blatas in an exceptional exhibition entitled “Aspects of Venice.” In 1997, the Beacon Hill Gallery, also in New York, presented a landmark exhibition of more than 100 of Blatas’ works. From September 2008 through July 2009, the 100th anniversary of the birth of Arbit Blatas was celebrated in “Arbit Blatas: A Centenary Exhibition,” at the Hebrew Union College-Jewish Institute of Religion in New York. This exhibition brought together all the major themes and media of Blatas’ diverse oeuvre for the first time: French and Venetian landscapes, music and theatre subjects in painting, sculpture and lithographs, the School of Paris in sculpture, and scenic designs. The Holocaust was honored in the fourth edition of Monument of the Holocaust and four towering, major paintings. Blatas was an artist of enormous range. His vivid colors and joie de vivre extend through his entire canon of paintings: landscapes, portraits and still-lifes. The distinguished French art critic, Jean Bouret, summed the artist up this way: “He is color, his palette is color, exuberant and sensual, as is the man.” On the other end of Blatas’ artistic spectrum, the noted Italian art historian Enzo di Martini wrote of the Monument of the Holocaust: “In complete contrast to his paintings, these bronzes are hammered and chiseled in anger and tragedy.” Arbit Blatas passed away on April 27, 1999 at his home in New York City. The artist exhibited regularly in the principal galleries of New York, Paris and London His works are also included in some of the most valued private international art collections. Some of his exhibitions included: NEW YORK - Pierre Matisse Gallery; Associated American Artists; French Art Gallery; Bignou Gallery; Fine Arts Associates; Hirschl & Adler Galleries, Inc.; Eastlake Gallery; Beacon Hill Fine Arts Gallery; PARIS - Galerie Zborowski; Salon D'Automne; Salon des Tuileries; Galerie Mouradian-Van Leer; Galerie Mouradian-Vallotton; Salon Populiste; Galerie de l'Elysée; Galerie André Weil; Galerie Bernheim-Jeune; Galerie René Drouet; LONDON - Wildenstein Gallery; Grosvenor Gallery; Archer Gallery; Fine Arts Society; Redfern Gallery; VENICE - Gritti Palace; Chiesa di San Samuele; Teatro Goldoni; Galleria Graziussi; Chiesa San Stae; TREVISO - Teatro Comunale; LAUSANNE - Galerie Vallotton; TORONTO - Goethe Institute; MONTREAL - Gallery Moos; SYDNEY - Holdsworth Gallery. Blatas’ works can be found in major museum collections, including: USA - Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Museum of the City of New York; National Portrait Gallery; the Smithsonian Institution; Carnegie Institute, Pittsburgh; Rochester Museum; Virginia Museum; Delgado Museum, New Orleans; Palm Springs Desert Museum; Wichita Art Museum; FRANCE - Jeu de Paume, Paris; Le Centre Pompidou, Paris; Musée Bourdelle, Paris; Musée de Boulogne; Musée de Céret; Musée de Grenoble; SWITZERLAND - Musée des Beaux-Arts, Lausanne; ITALY - Ca’ Pesaro, Venice; Museo d’Arte Moderna, Venice?; WALES - National Museum of Cardiff; ISRAEL - Jerusalem Museum; Tel Aviv Museum. REUNION - Musée de la Réunion. Awards and Honors * 1947 - Elected life member of the Salon D'Automne (France) * 1978 - Chevalier de la Legion D'Honneur (France) * 1980 – Gold Medal “Venezia Riconoscente” – presented by Mayor Mario Rigo * 1982 - Medal of Masada (Israel) * 1982 - Special Honor of the City of New York * 1987 - Commandeur – Médaille de Vermeil (City of Paris) * 1993 - Gold Medal of Honor, City of Venice (Italy) - presented by the President of Italy * 1993 - Presidential Medal of Italy * 1994 - Officier de la Legion D'Honneur (France) * 2008 (posthumous) --Commander Cross of the Order of Merit of Lithuania Major publications of the works of Arbit Blatas: Lithographs: HOMAGE A L'ECOLE DE PARIS by BLATAS Editions Marcel Sautier, Paris & Graphophile, New York; Preface by Emily Genauer (lithographs of the painters of the School of Paris) MARCEL MARCEAU by BLATAS Preface by Marcel Marceau; Editions Marcel Sautier, Paris, 1959; (eleven black and white lithographs) L'OPERA DES GUEUX by BLATAS Editions Marcel Sautier, Paris; prefaces by Jean Bouret and Lotte Lenya; (lithographs in color) RESNIK by BLATAS Editeur Archée, Auver-sur-Oise; Introduction by Winthrop Sargeant; Preface by Jean Bouret; (ten black and white lithographs) THE WORLD'S MOST BELOVED OPERAS by BLATAS Editions Jean Lavigne, Paris; (six lithographs in color) Other Publications: BLATAS Monographs by André Farcy, director, Musée de Grenoble; Editions Quatre Chemins LES ARTS ET LES ARTISTES by BLATAS By Waldemar George BLATAS, PORTRAITS DE L'ECOLE DE PARIS Editions de l'Albaron, France AN ARTIST'S VENICE Vendome Press, New York BLATAS: ASPETTI DI VENEZIA Edizioni Canova, Italy BLATAS: PORTRAITS DE MONTPARNASSE Edition Somogy, Paris THE HISTORIC GHETTO OF VENICE Edizioni Canova, Italy

Creator:
Arbit Blatas (1908-1999, Lithuanian)
Creation Year:
1965
Medium:
Canvas,Oil
Movement & Style:
Post-Impressionist
Period:
1960-1969
Condition:
Gallery Location:
Los Angeles, CA
Reference Number:
1stDibs: LU39112288

Shop All Arbit Blatas

Arbit Blatas

Arbit Blatas (1908–1999) was a Lithuanian-born French artist, widely recognized for his contributions as a painter, sculptor, and lithographer. He was part of the École de Paris (Paris School), a group of international artists who made Paris their home and created influential works during the early to mid-20th century. Blatas was born Arbuth Notovich in Kaunas, Lithuania, but he moved to Paris at a young age to pursue his artistic career. In Paris, he became associated with other notable artists, including Chaim Soutine, Marc Chagall, Pablo Picasso, and Amedeo Modigliani. Blatas was inspired by these artists but developed his own distinctive style. Blatas initially gained recognition for his portraits, landscapes, and still lifes, as well as for his work in lithography. His paintings often exhibited a vibrant color palette and expressive brushwork, typical of modernist traditions. His portraits captured the emotional essence of his subjects, many of whom were cultural figures from the worlds of art, music, and theater. Later in his career, Blatas focused more on sculpture. He is especially noted for his Holocaust memorial sculptures. His most famous work is the "Monument of the Holocaust", a powerful series of bronze reliefs and sculptures commemorating the victims of the Holocaust. These sculptures are installed in several locations around the world, including: Venice, Italy (the Campo del Ghetto Nuovo in the Jewish Ghetto); Paris, France (the Mémorial des Martyrs de la Déportation); New York City, USA (at the Museum of Jewish Heritage). The Monument of the Holocaust series is a deeply emotional tribute to the Jewish victims of Nazi persecution, reflecting Blatas’s personal connection to the tragedy, as his family members perished in the Holocaust. Blatas was married to Regina Resnik, a famous American opera singer. Their marriage led to his growing involvement with the opera world, and he produced many portraits of legendary opera figures such as Maria Callas. He also created set designs and stage art for various opera productions. Arbit Blatas remained active as an artist throughout his life. His works are exhibited in major collections and museums across the world, including the Musée d’Art Moderne in Paris and the Metropolitan Museum of Art in New York. Blatas passed away in 1999, leaving behind a legacy of art that spans painting, sculpture, and lithography, with a particular focus on human expression and historical memory. Blatas's ability to capture both the joy and tragedy of the human experience through his art, particularly his moving Holocaust memorials, makes him a figure of lasting significance in 20th-century art.

Onelio MarreroBistro du Midi, Oil Painting, 2023

$1,025

H 16 in W 20 in D 0.75 in

Bistro du Midi, Oil Painting

By Onelio Marrero

Located in San Francisco, CA

Artist Comments
In his distinct style of impressionism, artist Onelio Marrero displays a man in a suit reading the news as he sits by an empty dining hall. He bases the piece on sketches of a Back Bay, Boston restaurant named Bistro du Midi. He creates a narrative of an imaginary proprietor perusing a newspaper before the establishment opens and the clients fill the place. Onelio gives the viewer a sense of the dÃ©cor and light streaming through the windows - beyond it, a hint of the Boston Public Garden.

About the Artist
Artist Onelio Marrero paints impressionist city scenes of everyday life. He captures the romanticism of New York City, from the picturesque fountains in Central Park to a glistening city street on a rainy afternoon. He creates a sense of nostalgia and intimacy with his work, offering the feeling that you have visited this particular scene before. â€œEach play of light, each texture, and each movement of a figure can have a captivating effect on me,â€ says Onelio. He studied at The Cooper Union for the Advancement of Science and Art where he mastered discerning color and values, giving his work a more spontaneous appearance. Onelioâ€™s work is an appreciation for beauty in all of its greatest forms; nature, art, and people.

Words that describe this painting: restaurant, newspaper, bistro, cafe, table, Boston, Public Garden, Boston Common...

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$19,500

H 51.18 in W 63.78 in D 2 in

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Official Painter of the Navy appointed in 2010. Official Painter of the Armies appointed in 2000. Official Painter of Air and Space appointed in 1996. It was friendship and then the discovery of the art of painting that prompted Jacques Rohaut to visit Philippe Lejeune's studio in Etampes in the 1970s during his law studies. He also worked for a restorer of paintings. Emulation within what has become the "Etampes School" allowed him to continue the necessary learning before making many personal exhibitions: the first in 1984, at the Taylor Foundation (Paris), then at the Orangerie de Villeroy, at the VIP lounge for ministerial air links in Villacoublay, in Düsseldorf, at the Saint-Roch gallery (Paris), at the Musée de l'Ordre des Avocats (Hôtel de la Porte in Paris), at the Hôtel du Conseil Général d'Eure et Loire (Chartres), in the Jehan de Beauce tower of Chartres cathedral, at the Etampes Museum, at the Inès Bonlieu gallery, Guest of honor at several Salons in the provinces, he also regularly participates in major Parisian Salons: French Artists, Autumn, Comparisons. His profession as a lawyer practiced in Paris for thirty years, within the firm Ader Jolibois, inspired him many paintings of which the judicial life and the courthouses were the pretext; his country of birth, Morocco, allowed him to rediscover the lights that usually make up his paintings; the air and the sea are another source of inspiration. Among the main distinctions he has received: Bronze medal at the Salon de la Marine, Gold medal at the Salon des Artistes Français, Prix de la Fondation André et Berthe Noufflard...

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Price Upon Request

H 20 in W 26 in

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$5,400

H 24 in W 24 in D 2 in

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$796

H 13.78 in W 10.63 in

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Located in Sevenoaks, GB

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Areg ElibekianContemporary Art, Café Bonapart, Paris ., 2017

$6,000

H 30 in W 40 in D 1 in

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Located in La Canada Flintridge, CA

Areg Elibekian is known for his vibrant and unique style, often capturing scenes with vivid colors and expressive brushstrokes. Cafe Bonapart, Paris is a famous café known for its hi...

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$6,500

H 24 in W 30 in

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Texas artist John Cook paints with a passion, compelled to capture Impressionist images on canvas or watercolor paper. ''I see beauty in God' s creation, and I strive to capture a gl...

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