Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Benton Clark
Davy Crockett at the Alamo

c. 1920

$25,000
£18,944.59
€22,080.86
CA$35,735.80
A$36,183.38
CHF 20,584.62
MX$439,741.51
NOK 243,320.49
SEK 242,042.23
DKK 165,059.77

About the Item

Canvas Only Size: 24 x 36 inches Provenance: Kennedy Galleries, New York c. 1960 Illustrated: Treasures of the American West SELECTIONS FROM THE COLLECTION OF Harrison Eiteljorg Born in Coshocton, Ohio, Benton Clark became an eastern illustrator of the West in the dramatic tradition of Frederic Remington and especially loved painting horses. He also did murals that are in Chicago and Columbus, Ohio. Growing up in Coshocton, he had a picturesque rural setting of woods and valleys near the old Ohio Canal. A group of artists were working there, and one of them, Arthur Woelfle, gave Clark his first lessons and encouraged him to seek further training. Later Woelfle said that of all his students Clark was the most talented. In 1913, he went to New York City to study at the National Academy of Design and in 1915 to Chicago at the Art Institute. He sold magazine cover and calendar illustrations and in 1925, began illustration work for "Liberty" and "Outer's Recreation" magazines. He also illustrated for "Saturday Evening Post" and had a period of working for Metro Goldwyn Mayer's art department in Culver City, California. Major influences on him were Harvey Dunn, Frank Hoffman, and Frederic Remington, and in 1932, he became a member of the Society of Illustrators. In 1932, he returned to New York City and did western illustrations for leading magazines such as "Saturday Evening Post," "Mc Call's" and "Good Housekeeping,", a job that took him West for subject matter. He shared a studio with his brother, Matt Clark, also a noted illustrator. He died in his hometown of Coshocton, preparing to do an historic mural for his high school. Source: Walt Reed, "The Illustrator in America" Peggy and Harold Samuels, "Encyclopedia of Artists of the American West"
  • Creator:
    Benton Clark (1895 - 1964, American)
  • Creation Year:
    c. 1920
  • Dimensions:
    Height: 31 in (78.74 cm)Width: 43 in (109.22 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Missouri, MO
  • Reference Number:
    1stDibs: LU747317386172

More From This Seller

View All
Winfield Scott Treaty

Winfield Scott Treaty

By Benton Clark

Located in Missouri, MO

Canvas Only Size: 24 x 36 inches Signed Lower Right Provenance: Kennedy Galleries, New York c. 1960 Illustrated: Treasures of the American West SELECTIONS FROM THE COLLECTION OF Ha...

Category

1920s American Modern Figurative Paintings

Materials

Canvas, Oil

In Close Pursuit

In Close Pursuit

Located in Missouri, MO

Site Size: 20 x 15 inches Framed Size: 28.5 x 24 inches Donald Spaulding's artistic talents were recognized early. Encouraged by his high school teachers to pursue formal art traini...

Category

1990s American Realist Figurative Paintings

Materials

Oil, Illustration Board

The Deer Hunters

The Deer Hunters

Located in Missouri, MO

Laverne Nelson Black (American, 1887-1938) "The Deer Hunters" Signed Lower Left Canvas: 24 x 22 inches Framed: 30.5 x 28.5 inches Born in Viola,...

Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

Heading Up Trail

Heading Up Trail

By William Henry Dethlef Koerner

Located in Missouri, MO

Heading Up Trail William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Canvas Board Signed Lower Left 26 x 30 inches 35.25 x 30.75 inches with frame William Henry Dethl...

Category

Early 20th Century Other Art Style Figurative Paintings

Materials

Canvas, Oil, Board

Going into Battle

Going into Battle

By Carl Kauba

Located in Missouri, MO

Carl Kauba "Going into Battle" c. 1920s Bronze with Brown Patina Signed approx 10 x 10 x 4 (including wooden base) This Austrian sculptor was born in Vienna in 1865. His teachers were Karl Waschmann (1848-1905), known for his ivory sculptures and portrait plaquettes of contemporary celebrities, and Stefan Schwartz (1851-1924), who exhibited in Paris, including the Exposition Universelle of 1900 where he won a gold medal. Kauba's intricate bronzes, imported to the United States between 1895 and 1912, were cast at the Roman Bronze Works. Kauba was part of the nineteenth-century tradition of polychrome bronze sculpture. There were several types of patinas on a single statue: he could render the color of buckskin, variously tinted shirts, blankets, feathers, as well as beaded moccasins. Reportedly, Kauba came to America around 1886. Inspired by the Western tales of German author Karl May, he traveled to the West and made sketches and models. Critics, however, pointed out inaccuracies of costume and other details. For instance, the guns that his "mid-nineteenth-century" figures use are models produced after 1898. Apparently he did all of his works back in Vienna. Besides the variety of color, Kauba's bronzes show a great range of textures and his style is highly naturalistic. The sculptor loved ornament, some of which he rendered with coiled wire for reins, rope and feathers in headdresses. He successfully rendered figures in motion and often executed compositions with more than one figure. Berman (1974) illustrates non-Western subjects by Kaula, such as the pendants Where? and There (ca. 1910), a seated Scottish couple, impressive in the expressions and the details on patterned fabrics of both sitters. Another genre piece is Buster Brown...

Category

Early 20th Century Realist Figurative Sculptures

Materials

Bronze

Preparing to Ride

Preparing to Ride

Located in Missouri, MO

Preparing to Ride By. George B. Marks (American, 1923-1983) Signed and Dated Throughout his artistic career, George Marks’s work was always guided by the...

Category

1970s American Realist Figurative Sculptures

Materials

Bronze

You May Also Like

"Chisholm Trail"

"Chisholm Trail"

By Charles Hargens

Located in Lambertville, NJ

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Category

1930s American Impressionist Landscape Paintings

Materials

Canvas, Oil

Two Cowboys

Two Cowboys

By Charles Hargens

Located in Fort Washington, PA

Signed Lower Left

Category

20th Century Figurative Paintings

Materials

Oil

"Tackett and the Indian" Book Cover

"Tackett and the Indian" Book Cover

By Louis S. Glanzman

Located in Fort Washington, PA

Medium: Acrylic on Board Dimensions: 24.00" x 31.50" Signature: Signed Lower Right "Tackett and the Indian" Book Cover, by Lyn Nofziger

Category

Mid-20th Century Figurative Paintings

Materials

Acrylic, Board

“Kit Carson, The Famous American Frontiersman”

“Kit Carson, The Famous American Frontiersman”

By George Hand Wright

Located in Fort Washington, PA

Medium: Ink and Gouache Signature: Signed Lower Right Story illustration for “Kit Carson, The Famous American Frontiersman” by William S. Bridgman for Munsey’s, published December 1...

Category

Early 1900s Figurative Paintings

Materials

Ink, Gouache

Shattered Silence, American Western Art Etching by Noel Daggett

Shattered Silence, American Western Art Etching by Noel Daggett

By Noel Daggett

Located in Long Island City, NY

Noel Daggett, American (1925 - 2005) - Shattered Silence, Year: Circa 1980, Medium: Etching with Chine Colle, signed and numbered in pencil, Edition: 8/40, Size: 22 x 29 in. (55...

Category

1980s American Realist Animal Prints

Materials

Etching

The Apache's Bloodiest Hour, True Frontier Magazine Cover

The Apache's Bloodiest Hour, True Frontier Magazine Cover

By John Duillo

Located in Fort Washington, PA

Date: 1969 Medium: Gouache on Board Dimensions: 14.50" x 18.50" Signature: Signed Lower Right True Frontier magazine cover, January 1969

Category

1960s Landscape Paintings

Materials

Gouache, Board