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Bruce Adams
Narcissus with Venus Effect

2014

$4,500
£3,404.41
€3,978.68
CA$6,440.46
A$6,544.05
CHF 3,707.41
MX$79,625.03
NOK 43,472.35
SEK 43,709.19
DKK 29,762.80

About the Item

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the layers of meaning inherent in making and viewing art. Artist Statement: I often reference historical painting themes and styles in order to throw into relief western tropes in figurative art. Certain conventions reoccur with such regularity throughout history that they can be seen as cultural memes that cut across religious, mythical, and secular themes. Other conventions are closely linked to a particular time and place. Mythology and allegory are artistic contrivances that act as mirrors, reflecting ideals and social mores throughout history. It’s still going on. Google any god or goddess and along with historical art up pops contemporary illustrations reflecting the cultural tropes of today.
  • Creator:
    Bruce Adams (1952, American)
  • Creation Year:
    2014
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Buffalo, NY
  • Reference Number:
    1stDibs: LU1392513172

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Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the layers of meaning inherent in making and viewing art. Artist Statement: Though we don’t generally think about it, thirteenth-century religious art actually reflects medieval European perceptions of events that occurred in the ancient Middle East. In the Divine Beauty project I filter sacred iconography through the secular lens of today’s societal perceptions by placing found commercial fashion imagery (from magazines and other sources) in the context of painted religious narratives, producing a clash of ideas that throw both sources into question. Like many Western New Yorkers, I was raised Catholic. I attended a Catholic elementary school, went to church every day. While the indoctrination didn’t last beyond childhood, it did instill a lifelong affinity for the visual traditions of sacred art. But, as the recent economic meltdown has made apparent, conspicuous global consumption has replaced western religion today as the favored path to personal fulfillment. Fashion models serve as the new icons...

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The Self is a Construction

The Self is a Construction

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Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...

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