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Frans Masereel
Un homme tombe

1964

$11,456.36List Price

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(after) Frans Masereel "Le Calvaire"

(after) Frans Masereel "Le Calvaire"

By Frans Masereel

Located in Henderson, NV

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 8 x 4 3/4 inches (205 x 11...

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(after) Frans Masereel "Melancolie"

(after) Frans Masereel "Melancolie"

By Frans Masereel

Located in Henderson, NV

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 7 7/8 x 5 1/4 inches (200 ...

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1920s Expressionist Prints and Multiples

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Juin 40 - Rare Book Illustrated by Frans Masereel - 1912

Juin 40 - Rare Book Illustrated by Frans Masereel - 1912

By Frans Masereel

Located in Roma, IT

Juin 40 is an original Rare Book illustrated by Frans Masereel (1889 – 1972) in 1912. Original Edition. Précédé de “Fragments d’un journal de guerre 1940” de Henry de Montherlant. 1550 numbered copies. Published by Pierre Tisné, Paris. Format: Oblong 4°. The dimensions and the weight are indicative. The book includes 32 + 7 Pages with 32 Full page Lithographs. Good conditions. Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism. He completed over 40 wordless novels in his career, and among these, his greatest is generally said to be Passionate Journey. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as Clifford Harper, Eric Drooker, and Otto Nückel. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as George Walker, Clifford Harper, Eric Drooker, and New Yorker cartoonist Peter Arno. Masereel's woodcut series, mainly of sociocritical content and expressionistic in form, made Masereel internationally known. Among them were the wordless novels 25 Images of a Man's Passion (1918), Passionate Journey (1919), The Sun (1919), The Idea (1920), Story Without Words (1920), and Landscapes and Voices (1929). At that time Masereel also drew illustrations for famous works of world literature by Thomas Mann, Émile Zola, and Stefan Zweig.

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1940s Modern More Art

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Lithograph

Crying Man - Woodcut by Frans Masereel - 1925

Crying Man - Woodcut by Frans Masereel - 1925

By Frans Masereel

Located in Roma, IT

Woodcut print on paper realized in 1925. Hand signed in pencil. Very good condition.

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1920s Modern Figurative Prints

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Amsterdam - Woodcut Print by Frans Masereel - 1933

Amsterdam - Woodcut Print by Frans Masereel - 1933

By Frans Masereel

Located in Roma, IT

Amsterdam is an artwork realized by Frans Masereel, 1933. Woodcut print representing Amsterdam. 75 x 55 with frame; 17h x 12 cm each work. Good conditions.

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Early 20th Century Modern Landscape Prints

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Le Toit

Fernand LégerLe Toit, 1950

$30,000

H 12.375 in W 16.375 in

Le Toit

By Fernand Léger

Located in New York, NY

Gouache and watercolor on paper, 1950. Initialed by the artist "FL" and dated "50" lower right. Exhibition History: Blue Moon Gallery/Lerner-Heller Gallery, New York, "An intimate ...

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1950s Modern Abstract Paintings

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Gouache, Watercolor

Mes Voyages

Mes Voyages

By (after) Fernand Léger

Located in Henderson, NV

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

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1980s Prints and Multiples

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Das Mondgespenst / The ghost of the moon

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Franz Rogler (1921 -1994) studied wood and stone sculpture with Wilhelm Gösser at the Graz School of Applied Arts and attended the master class for painting with Rudolf Szyszkowitz. During his studies he was drafted for military service and, together with fellow artist Hans Fronius, was deployed as a war painter in Austria, Germany, Italy, the former Yugoslavia, Greece and Russia. During this time he completed studies at the Academy in Zagreb and organised exhibitions in Austria. In 1944 he deserted and managed to escape to Switzerland, where he settled in Basel after his internment and came into contact with the Swiss Surrealists of "Group 33" and with the artists Hans Arp, Max Ernst and Meret Oppenheim through his friend Regula Weilenmann. After the end of the war, he studied at the Basel Art School with Walter Bodmer and Heinrich Müller, which introduced him to Constructivist art. In 1947 Rogler returned to Graz and became a member of the Graz Secession. From 1948 to 1950 he studied at the Vienna Academy with Albert Paris Gütersloh, before returning to Graz as a freelance artist in 1950. In 1953 he received the Art Prize of the City of Graz and his works were published in the first issue of the "Surrealist Publications" edited by Edgar Jené and Paul Celan...

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Du entgehst der Strafe nicht / You do not escape the punishment

Du entgehst der Strafe nicht / You do not escape the punishment

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