Giancarlo Impiglia

Beautiful new modernist work by Impiglia, "War of The Marionettes"

2024

A new work by the indelible Giancarlo Impiglia, who value can only increase. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shou...

A new work by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and Cubism,...

A delightful figurative study depicting characters in late Victorian dress. Signed to the upper left. Titled in Italian verso. Presented in a gilt frame with a cotton slip. On canvas.

A bold and highly collectible mid-century modern oil painting by Edward Marecak, this semi-abstract mythological composition exemplifies the artist’s signature fusion of classical narrative, symbolic figuration, and vibrant modernist abstraction. Rendered in richly layered oil, the painting transforms ancient mythological subject matter into a dynamic, color-saturated visual language. Stylized human figures emerge through bold outlines, patterned surfaces, and interlocking color fields, creating a composition that feels both narrative and abstract at once. Marecak’s approach is deeply rooted in his Slovak heritage and fascination with folklore, opera, and Greek mythology, which he consistently reinterpreted through a modernist lens. Rather than depicting literal scenes, he constructs symbolic environments where figures, gestures, and architectural forms merge into a rhythmic, mosaic-like structure. The result is a visually complex and emotionally charged work that reflects Marecak’s position as one of Colorado’s most distinctive mid-century modernists. His practice bridges folk-inspired imagery, surrealist abstraction, and postwar expressionism, placing him firmly within the broader evolution of American modern art. Mythological works such as this are among the most sought-after in Marecak’s oeuvre, as they represent his most fully realized synthesis of storytelling and abstraction. These compositions often feature densely layered surfaces, bold chromatic contrasts, and theatrical figuration that echoes both Byzantine iconography and modernist experimentation. A long-standing figure in the Denver modern...