Hans Laagland

Sylvia

2009

Item is in excellent condition and has only been displayed in a gallery setting. Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studies at La Escuela De ...

This painting is in excellent condition and has only been shown in a gallery setting. Please note that given the characteristics of the silver and gold leafing the work will photogr...

This painting beautifully captures a realistic view of an artist's studio. The boxes covered in oil paint fingerprints, the small dent in the wall, the palette, tubes of paint scatt...

This painting is in excellent condition and has only been shown in a gallery setting. Please note that given the characteristics of the silver and gold leafing the works will photograph and look different under various types of light. Using gilded shapes intertwined with abstract washes of color and light, Swanston creates paintings that visually evolve and transform in conjunction with the natural light of a passing day. He brings the beauty of nature into the home and captures the idea that art originates not only through personal introspection, but through the contemplation of nature and place. The environment plays a key role in the construction of Swanston’s paintings and guides the context of each work. Underneath the gold leaf and acrylic paint lies a deeper conversation about species preservation and habitat loss, both conservation efforts important to the artist. Swanston utilizes beauty as the vehicle by which he entices the viewer and provides the bridge for a critical discussion about environmental protection. Thomas Swanston was born 1956 in Annapolis Md...

Katinka Lampe 8010173, 2017 Oil on canvas 39.37 x 31.5 inches (100 x 80 cm)

Alison Hyman’s oil painting “Hot Dreams” is a powerful exploration of intimacy, vulnerability, and subconscious desire, rendered in a luminous palette of fiery reds, oranges, and och...

Oil on canvas, carved wood frame

I was born in Atlanta, Ga. in i948 and have always lived in the South. The rich tradition of storytelling is in my blood and it is impossible to ignore its influence on my narrative paintings.I am the director of my own tale and must create the characters, the setting, and the poetic tensions implied between the characters and the viewer. My paintings are done on canvas or museum board in a realistic manner with much attention to detail. I have created a technique of layering oil paints and varnish that give the surface a unique technical aspect, one that visually reflects the many levels at which the narrative can be interpreted. The paintings begin with the seed of an idea and a strong fascination and empathy for the central character. One can rely on conscious judgements concerning composition, whether to paint the figure nude or elaborately costumed ,and the use of one's own personal symbols and icons. I believe that only when the artist moves into uncertain territory and listens to her own private language, can she move beyond mere painting. Artist Statement C.Dawn Davis