"Diary of a Single Mother" Figurative Painting 40" x 30" inch by Isaac Pelayo
Medium: Oil, oil stick, acrylic, aerosol on wood
"Urban Symphony" series
The "Urban Symphony" series by Isaac Pelayo showcases ten works that delve into the relationship between poor and rich individuals in the urban landscape.
The concept behind this series originated from the artist's contemplation on the contrasting lives of the wealthy and the impoverished. Drawing inspiration from his experiences driving through Los Angeles and Riverside, Pelayo explores the relationship between these two social groups within the urban landscape.
The artist's paintings, particularly those with religious themes, evoke memories of driving through the city and encountering small churches, known as "Iglesias" in Spanish. In East LA, one can observe these iglesias along the main streets, where a few individuals can be seen engaged in prayer. Adorning the exterior walls of these churches are often crude murals depicting Jesus Christ, the Virgin Mary, or the Lady of Guadalupe. These murals, however, are juxtaposed with gang graffiti and advertisements for prominent corporations.
This artistic representation delves into the generational divide among immigrants who come to America in search of a better life. The older generation places their faith in God, seeking solace and guidance, while the younger, first or second-generation Americans express their identity through street art, rather than religious devotion. By leaving their mark on the walls through graffiti, they assert their presence and existence in the world.
Furthermore, Pelayo addresses the issue of gentrification and the encroachment of large corporations into impoverished communities. These communities, predominantly inhabited by the less fortunate, bear witness to the overwhelming presence of advertisements for major brands such as Pepsi, Nike, and gas companies. This reality is one that only those who experience poverty can truly comprehend.
In paying homage to Renaissance art, the artist incorporates elements of realism and religious iconography into his works. It is worth noting that five centuries ago, such art was exclusively accessible to the wealthy, who could commission paintings. However, with the advent of graffiti, a form of artistic expression born from the hands of the poor, art became accessible to all. Interestingly, in the present day, even the affluent are embracing and purchasing graffiti art.
Ultimately, "Urban Symphony" explores the stark contrast between different social classes, highlighting the interplay between faith, identity, and the commercialization of art.
ABOUT THE ARTIST:
Isaac Pelayo is a head on crash collision between The Renaissance and Street Art.
In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely.
As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain just to name a few.
Pelayo is often described as the coming of A New Renaissance. The juxtaposition between his meticulously rendered brushwork of classical style imagery and loose expressionistic careless drips with the use of oil paints, spray paint, and oil sticks create a dramatic atmosphere that is nothing less than a sexy intoxicating marriage of two worlds that don’t inherently belong. The motifs we see in his paintings feature a third eye accompanied by a smiley face which was also adopted by Westside Gunn on several projects during the 2020 Covid-19 pandemic which led to Isaac’s recent growing success.