June Glasson

Never Done X - Contemporary Strong Female Figurative Silhouette Red Brown, 2024

2024

This contemporary painting in ink, gouache and pencil on archival paper, is composed of a silhouette figurative form in costume and a feathered headdress suggesting a strong female c...

This contemporary painting in ink, gouache and pencil on archival paper, is composed of a silhouette figurative form in costume suggesting a strong female character holding a staff. ...

Contemporary painting in ink, gouache and pencil on archival paper of a silhouette suggesting the form of a dark gray mythical creature with claws and udders in bright crimson red. ...

This contemporary abstract painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright crimson red,...

WALERIA MATELSKA (born 1994 in Belarus) In 2012-2015 she studied at the Faculty of Painting at the Academy of Fine Arts in Krakow, where in the years 2015-2018 she her diploma from t...

Very pretty Emanuel pose. "it is the figure , not the nude I am interested in..." J Emanuel Image 20.5" x 14" Matted 25.5" x 19" Signed Originally from Bury, in the North of Engl...

This expressive contemporary figurative painting by French artist Natalya Mougenot presents the silhouette of a woman reimagined through the lens of form, contrast, and visual presen...

Red, gray, and white abstract figurative mixed media painting by Houston, TX artist Jim Pirtle. The work depicts a figure of a lady wearing a red and white blouse with a cowboy hat on her head. She sits against a red background with hats and shoes. Unsigned. Framed in a natural wooden frame. Dimensions Without Frame: H 23.5 in x W 19.75 in Artist Biography: Jim Pirtle was born in Houston, TX in 1960. In High School, he was selected "Most Nonconformist." He went to Baylor University in Waco, TX, and received a BA in history but more importantly, was a member of the NoZe Brotherhood. The group was an underground mask-wearing secret society of satirists that through writing, campus interventions, and performance art exposed the hypocrisy of conservative Baptists. After college, he moved to Austin, TX, and got a job as an orderly at the Austin State Hospital. This was a crash course education in the extremes of human behavior. After two years in the locked up insaneness of collecting urine, breaking up fights and mopping up spontaneous miscarriages he jumped to the other extreme, moving back to Houston and becoming a Kindergarten teacher for 10 years ? innocence and hope. During the mid 80's he was becoming an obsessive painter and found the local art community. He moved into an artist warehouse and got his formal art training from Nestor Topchy...