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Norman Rockwell
The Welder

Painted in 1921

Price:$550,000
$695,000List Price

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It’s Never Too Late to Mend

It’s Never Too Late to Mend

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Located in Fort Washington, PA

Signed by Artist Lower Right Commissioned from the artist by Coats & Clark thread company circa 1939 Exhibited at the Mint Museum, January 2022

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An Audience of One

Norman RockwellAn Audience of One, 1938

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H 15.875 in W 18.375 in

An Audience of One

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Medium: Oil on Canvas Signature: Signed Lower Right Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Norman Rockwell Museum...

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Study for 'The Collector'

Study for 'The Collector'

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Over the course of his long and prolific career, Norman Rockwell executed over 300 cover illustrations for The Saturday Evening Post. In addition to these beloved commissions, Rockwe...

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In the Workshop

Louis Charles MoellerIn the Workshop, 1900

$12,500

H 21 in W 17 in D 2.5 in

In the Workshop

Located in New York, NY

This masterful and detail oriented depiction of potentially three generations of what may be leather tanners and or saddle-makers in their workshop is a very American genre scene tha...

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Toy Maker Study

Toy Maker Study

By Joseph Christian Leyendecker

Located in Fort Washington, PA

Medium: Oil on Canvas Signature: Signed Upper Left

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Norman Rockwell  -- Dreams of Long Ago

Norman Rockwell -- Dreams of Long Ago

By Norman Rockwell

Located in BRUCE, ACT

Norman Rockwell Dreams of Long Ago, 1976 Lithograph Hand signed lower right Edition 18 / 200 Image size 68 x 51 cm Sheet size 85 x 60 cm Dreams of Long Ago/Cowboy with Gramophone...

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An Audience of One - Santa

An Audience of One - Santa

By Norman Rockwell

Located in Fort Washington, PA

Medium: Oil on Canvas Signature: Signed Lower Right Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Norman Rockwell Museum at Stockbridge, Stockbridge, M...

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Secrets, oil painting on canvas after Norman Rockwell

Secrets, oil painting on canvas after Norman Rockwell

By Norman Rockwell

Located in Gavere, BE

Secrets, oil painting on canvas after Norman Rockwell The original painting was used for the cover of a 1942 Saturday Evening Post. Hand-painted edition after the Painting of Secre...

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Maxwell House Coffee Illustration

Norman RockwellMaxwell House Coffee Illustration, 1924

Price Upon Request

H 14.5 in W 37.25 in

Maxwell House Coffee Illustration

By Norman Rockwell

Located in Fort Washington, PA

Signed by Artist Lower Right Maxwell House Coffee Illustration Few artists have ever pulled on our nation's heartstrings, particularly in reference to family and generations, as adeptly as Norman Rockwell. From his earliest advertisements to his patriotic World War II subjects, Rockwell's virtuoso was in his ability to capture the essence of American culture and a view of a more innocent time in our country's history. Rockwell states: "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Recognizing the need for reminiscence from young and old alike, Rockwell effectively captures a timeless scene: Here, two old friends gingerly and jovially play a game of chess, sipping coffee as they wait for their furry friend to make the next move. The work is executed in Rockwell's signature descriptive style of finely drawn, clear realism with a wealth of fascinating detail. In discussing his career, Rockwell commented, "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Rockwell seemingly utilizes one of his favorite models in the present work-James K. Van Brunt. The artist recalled his initial meeting with Van Brunt in 1924 in New Rochelle, New York: "I remember it was June and it was terribly hot. I was working in my underwear and not getting along too well because my brushes were slippery with perspiration. Suddenly the downstairs door banged and I heard someone come up the stairs treading on each step with a loud, deliberate thump...A tiny old man with a knobby nose, an immense, drooping mustache, and round, heavy-lidded eyes stamped bellicosely into the studio. 'James K. Van Brunt, sir,' he said, saluting me and bowing all at once. 'Five feet two inches tall, sir. The exact height of Napoleon Bonaparte!' And he pushed out his thin little chest, which was encased in a fawn colored vest. 'I have fought the Confederate Army at Antietam, Fredericksburg, and in the Wilderness,' he said. 'I have battled the nations of the Sioux under Dull Knife, Crazy Horse and Sitting Bull. I have fought the Spaniards, sir, in Cuba.' And he rapped his cane on the floor and looked at me very belligerently. Then, having ascertained that I wasn't going to contradict him, he took off his gloves and his wide brimmed hat, laid them on a chair, and patted his mustache. 'This mustache, sir,' he said, 'is eight full inches wide from tip to tip. The ladies, sir, make much of it.' And he winked at me and walked over to my mirror to stare at his mustache." (My Adventures as an Illustrator, New York, 1994, p. 206) Van Brunt was a consummate professional as a model, carefully practicing his poses in the mirror in advance of a session and, at times, inspiring the idea for the cover illustration. Rockwell stated that he used to suggest a cover almost every time they saw one another and referred to the day when Van Brunt first showed up at his studio as "one of the luckiest days of my life." (My Adventures as an Illustrator, p. 206) James K. Van Brunt appeared in ten Post covers by Rockwell, as well as countless other paintings used as advertisements, such as the present work. Given Van Brunt's distinctive visage with his mustache, the editor at the Post, George Horace Lorimer, complained. "Rockwell recalled, 'Mr. Lorimer said to me, 'I think you're using that man too much. Everybody's beginning to notice it. Maybe you'd better stop for a while. That mustache of his is too identifiable.' Rockwell informed Van Brunt of the problem, 'If you take off your mustache I can use you again...Otherwise I just can't.' Two weeks later Van...

Category

1920s Figurative Paintings

Materials

Oil

Man in His Shop

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$15,000

H 27 in W 24 in

Man in His Shop

By Andrew Loomis

Located in Fort Washington, PA

Calendar art, from the 1940's. Man working in his shop

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Alfred Weber 1859-1922 I Swiss The Musician Signed “Alfred Weber” (lower left) Oil on panel This work by Swiss ecclesiastical genre painter Alfred Weber, best known for his humorous and meticulously detailed paintings, features a cardinal enjoying his leisure time. Weber's talent for rendering opulent interiors and his keen sense of comic narrative are evident in this painting. The cardinal, looking blissfully content, sits in his lavish living space playing the violin, accompanied by a flutist. Alfred Charles Weber...

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