Ramon Llovet Miserol

Father and son oil on canvas painting surrealist

1967

Symbolist Male and Female Couple Portrait Modern Spanish Figurative Oil Painting Surrealist Composition Artist: Ramon Llovet Miserol (Spanish, 1917–1987) Title: Parella (Couple) Date: 1977 Medium: Oil on canvas Dimensions (image): Height: 50 cm (19.69 in); Width: 61 cm (24.02 in) Signature: Signed lower right; titled and dated on reverse Condition: Very good overall condition Frame: Unframed Origin: Spain Style: Symbolist figurative modern painting Period: 1970–1979 Subject: Male and female dual portrait symbolic composition Striking symbolic double portrait painted in 1977 by Catalan modern master Ramon Llovet Miserol. The composition presents a contemplative male and female figure arranged in a psychologically charged spatial relationship, set before a geometric floral structure that reinforces the metaphysical atmosphere characteristic of the artist’s mature period. Paintings from Llovet’s late symbolic phase are increasingly sought after for their balance between postwar European figuration and poetic metaphysical narrative language. This work represents a strong example of his spiritual and introspective visual vocabulary developed during the 1970s. During the 1970s Ramon Llovet developed a deeply personal symbolic figurative language connected with the postwar Catalan modern movement surrounding the circle of Joan Ponç and the intellectual environment linked to Modest Cuixart and the legacy of the group Dau al Set. His poetic treatment of the human figure and metaphysical spatial constructions also resonates with the introspective symbolic direction explored by Marc Chagall in later figurative compositions. This painting belongs to the mature phase in which Llovet integrated philosophical reflection and spiritual symbolism into simplified figurative structures. Ramon Llovet Miserol was a Catalan painter associated with the postwar Barcelona artistic scene and the circle of Sala Gaspar. His work evolved from early Noucentisme influences toward a personal symbolic figurative language combining spiritual reflection, poetic structure and modern European composition. During the 1970s his painting reached its most metaphysical phase, producing works that remain among the most recognizable examples of his mature artistic vocabulary. Ramon Llovet painting Spanish modern painting...

Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

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