Love in the Mist, Magazine Illustration
By Tom Lovell
Located in Fort Washington, PA
Love in the Midst, Magazine Story Illustration Ladies Home Journal, June 1959 Tom Lovell had an extreme attention for detail and rarely completed more then a dozen major oil pa...
Board, Oil
Roses with Mourning Due, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published September 18, 1926. Lil receives an unexpected flower delivery at the Morse home, while a jealous Sandy glowers in alarm and disapprov...
Oil, Board
'Hearts and Flowers' Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published December 11, 1926 Sandy called on Lil one evening, only to find that his suspicions were true – Mr. Hammerschlosser, the aging and wea...
Canvas, Oil
"She's Stealin' Flowers, Mrs. Atherton!"
By Harold von Schmidt
Located in Fort Washington, PA
Date: 1934 Medium: Gouache on Pencil on Board Dimensions: 19.25" x 19.75" Signature: Inscribed and Signed Illustrated for "The Sea Remembers" by Gordon Malherbe Hillman, American Ma...
Gouache, Board, Pencil
Story Illustration "Katie Cling & the Dutchess"
By Harry Anderson
Located in Fort Washington, PA
Date: 1944 Medium: Gouache on Board Dimensions: 20.00" x 25.00" Signature: Signed and Dated Lower Right Story Illustration: "Katie Cling & the Dutchess", by Dorothy Staley, Goo...
Gouache, Board
"Marriage is a Private Affair, " story illustration for The Ladies' Home Journal
By Andrew Loomis
Located in Fort Washington, PA
Story illustration for “Marriage is a Private Affair” by Judith Kelly, published in the Ladies’ Home Journal, March 1941, page 13. Featuring a young bride and groom embracing as a ma...
Canvas, Oil
Pulp Fiction Cover Illustration for Lady Chatterley's Daughter
By Raymond Johnson
Located in Wilton Manors, FL
Raymond Johnson (1915-1997). Cover Illustration for Lady Chatterley's Daughter by Patricia Robins, 1962. Gouache on illustration board, image measures 15 x 18 inches. Beautiful an...
Gouache, Illustration Board
Saturday Evening Post Illustration. “ The Devil’s Stronghold” Original Magazine
By Edwin Georgi
Located in Miami, FL
The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...
India Ink, Gouache, Pencil, Illustration Board
"Just Married", 1930s Original Painted Figurative Illustration
By Charles Kinghan
Located in Soquel, CA
Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...
Acrylic, Cardboard
Mary Vincent and the Convict, Good Housekeeping Illustration - Mid Century
By Al Parker
Located in Miami, FL
Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...
Masonite, Gouache, Pencil
Then for Three Minutes, or Maybe Four, Lithograph Print, Hand Signed, 1972
By Norman Rockwell
Located in Aventura, FL
Hand signed and numbered by the artist. Image size approx 17.25 x 13.25 inches. Frame size approx 30 x 26 inches. From the edition of 200. Artwork is in excellent condition. Cert...
Paper, Lithograph
Champagne for the Honeymoon
By Pruett Alexander Carter
Located in Miami, FL
Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...
Oil
