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Sharon Paster
Beach Walk

$7,100
£5,383.88
€6,290.16
CA$10,152.60
A$10,308.35
CHF 5,843.58
MX$125,577.29
NOK 69,113.96
SEK 69,134.05
DKK 47,017.89

About the Item

Sharon Paster is a distinguished San Francisco Bay-area artist Sharon Paster creates her paintings using oil sticks and brushes, a technique that allows her to both draw and paint at the same time. Sharon's imagery encompasses both abstraction and figuration. Her paintings show the influence of great California artists, such as Richard Diebencorn and David Park, and reflect her attraction to the energy and change around her. In her exquisitely modulated and wonderfully rich paintings, mingling elements of realism with abstraction, the artist hopes to suspend time, capture a moment of change, and provoke a response from the viewer. Sharon's work has been featured in publications, such as Luxe Magazine, House Beautiful, and San Francisco Magazine, along with Sacramento’s Crocker Museum and San Jose’s Institute of Contemporary Art, and can be seen in collections throughout North America.
  • Creator:
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 48 in (121.92 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Atlanta, GA
  • Reference Number:
    Seller: 50201stDibs: LU2005214269492

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At the Shore

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"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

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