Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Ventura Perez
Glory hole between two buildings, Vriesendorp surrealism, blue and green

2023

$1,588.42
£1,176.15
€1,640.25VAT Included
CA$2,212.45
A$2,250.88
CHF 1,289.98
MX$27,102
NOK 15,077.48
SEK 15,143.65
DKK 10,294.31

About the Item

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to Bilbao and has now gone to New York, where he has produced this series of oil paintings on board. The critic and collector Theodore Tenembaum said of him: “What I find fascinating about Ventura is how he manages to elevate the tender and subtle to what I can only define as ‘a state of autonomous elegance’.” Although we think that Mr. Tenembaum’s words smack of a bombastic intellectual, there is no doubt that we agree with Popper in his fascination. We believe, however, that behind Ventura’s tenderness and elegance lies the incendiary spirit of a demanding author full of desire. The dimensions of the work are 41 x 31 cm x 3 cm. The technique of the work is oil on board, with a wooden frame. Painted by the artist in New York in the year 2024, in this series the most characteristic buildings and constructions of the big city acquire almost human emotions and feelings. The Chrysler Building as the Empire State's lover. Both of them asleep on the bed of paradoxical scale, all this if we consider that these skyscrapers are over 300 meters high. A third tower, the Rockefeller Center, bursts into the lovers' room and points a beam of light at the bed where the other buildings lie. This is what I can describe in "Flagrant Délit" (1975) by Madelon Vriesendorp and, nevertheless, the artist Ventura Perez does not quite understand what it can mean. Despite this, he takes this work as a starting point for both his doctoral thesis in Visual Arts and for this series of paintings, because, although he does not know what it can refer to, it seems to him a very attractive and curious image that he wants to know more about. Starting from "Flagrant Délit" both to research and to paint leads the artist to understand painting as the practice nourished by the academic work of the doctorate, which is the same thing, he considers the long doctoral thesis of more than five years of research as a good excuse to paint what he is passionate about. He had doubts about how relevant a thesis of this category can be, where he stopped to analyze the architecture of Manhattan as a frustrated utopia or programmatic architecture as a current that approaches the plastic arts, so recycling the theoretical content of the thesis in a series of works whose discursive thread focuses on a love disappointment seemed like an interesting challenge. He has been painting this series since 2023, with it he rescues and discards images, texts and concepts that he developed in the research, adapting it to this kind of soap opera among emblematic buildings painted. However, what motivates him most to continue painting is not so much the search for the usefulness of a thesis, but the most sentimental and psychological part of painting. It is about thinking about what happens after that infidelity in "Flagrant délit" with everything that the image can mean. This story of heartbreak between buildings leads us to understand architecture not only as "space where life happens" (Aldo Rossi), but as another protagonist subject in itself. In the same way, the touches of humor, drama and theatricality that are seen as necessary accessories of painting or comics are difficult to find in the academy. Continuing the star of the painter Vriesendorp, wife of the famous architect Rem Koolhaas, in this selection of paintings we will see architectural prosopopeia, equally languid, twisted, either wandering or thinking, or crying or repenting, or angry and resentful, or nostalgic, with their nostalgic metaphors and allegories, bringing everything learned in a doctorate closer to what seems like a cheap story of love disappointment.
  • Creator:
    Ventura Perez (1992, Spanish)
  • Creation Year:
    2023
  • Dimensions:
    Height: 16.15 in (41 cm)Width: 12.21 in (31 cm)Depth: 1.19 in (3 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Carballo, ES
  • Reference Number:
    1stDibs: LU2117215703722

More From This Seller

View All
fish tank, blue color study, surreal skyscraper, oil painting, Vriesendorp

fish tank, blue color study, surreal skyscraper, oil painting, Vriesendorp

By Ventura Perez

Located in Carballo, ES

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Category

21st Century and Contemporary Romantic Figurative Paintings

Materials

Oil, Wood Panel

Surrealist painting on board, bright colors and green shadows, diptych

Surrealist painting on board, bright colors and green shadows, diptych

By Ventura Perez

Located in Carballo, ES

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Category

21st Century and Contemporary Surrealist Figurative Paintings

Materials

Oil, Wood Panel

Small surreal house, green and yellow, oil on board

Small surreal house, green and yellow, oil on board

By Ventura Perez

Located in Carballo, ES

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Category

21st Century and Contemporary Surrealist Figurative Paintings

Materials

Oil, Wood Panel

surreal scene with magical colors, blue shadows and illuminated buildings

surreal scene with magical colors, blue shadows and illuminated buildings

By Ventura Perez

Located in Carballo, ES

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Category

21st Century and Contemporary Surrealist Interior Paintings

Materials

Oil, Wood Panel

Trompe l'oeil New York street with aerial perspective, pastel-colored buildings

Trompe l'oeil New York street with aerial perspective, pastel-colored buildings

By Ventura Perez

Located in Carballo, ES

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Category

21st Century and Contemporary Romantic Figurative Paintings

Materials

Oil, Wood Panel

Surrealist wardrobe of suits for buildings, Vriesendorp, original oil on board

Surrealist wardrobe of suits for buildings, Vriesendorp, original oil on board

By Ventura Perez

Located in Carballo, ES

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Category

21st Century and Contemporary Surrealist Figurative Paintings

Materials

Oil, Wood Panel

You May Also Like

Green Barn Reflected - blue, landscape, abstracted, pop-art, acrylic on canvas

Green Barn Reflected - blue, landscape, abstracted, pop-art, acrylic on canvas

By Charles Pachter

Located in Bloomfield, ON

Charles Pachter’s love of barns has spanned decades. For the cherished Canadian contemporary artist the barn is a reminder of Canada’s strong rural roots and agricultural heritage. In this painting, the barn is a forest green; a colour that became popular after the 18th century invention of a paint pigment called ‘Paris green.’ The rich colours are enhanced by the reflection of the image in cool blue waters. The undulating borders blur the line between earth and sky. While Pachter has been much lauded as a pop artist often compared to David Hockney, Andy Warhol and Jim Dine, his charming imagery is distinctly his own. “Charles Pachter is the most Canadian artist this country has ever produced, including the Group of Seven. Charlie is a Group of One, and no one else can do what he does.” Leonard Wise, Author and Art Critic Pachter is an Officer of the Order of Canada, a Chevalier of France’s Ordres des Arts et des Lettres and twice a recipient of the Queen’s Jubilee...

Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Acrylic

Bauhaus No 01 - large, blue, green, architecture, deconstruction, mixed media

Bauhaus No 01 - large, blue, green, architecture, deconstruction, mixed media

By Peter Hoffer

Located in Bloomfield, ON

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

Category

2010s Contemporary Landscape Paintings

Materials

Clay, Linen, Pigment

Bauhaus No 02 - large, blue, green, architecture, deconstruction, mixed media

Bauhaus No 02 - large, blue, green, architecture, deconstruction, mixed media

By Peter Hoffer

Located in Bloomfield, ON

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

Category

2010s Contemporary Landscape Paintings

Materials

Clay, Linen, Pigment

"Longitude", Surreal Landscape, Boat, River, Mountain, Blue, Green, Oil Painting

"Longitude", Surreal Landscape, Boat, River, Mountain, Blue, Green, Oil Painting

By Alexandra Rozenman

Located in Franklin, MA

“Longitude” is 40 x 60 x 2 inch oil painting on canvas by Alexandra Rozenman. You feel the space shifting through many horizon lines. A peaceful river landscape with a single boat on a green shore keeps the painting up like a pedestal while above it air moves in greens and blues leaving lines and shapes on the lands and mountains. White trees that make us think about birches reflect in deep waters. Light goes up and up and up and on the very top of the painting, we see two women sitting comfortably next to each other at the front of an open door. This vast landscape is just a room for them. Dark night with a full moon is outside. The title of this painting is "Longitude" it illustrates how close we can be even when we are far away once we understand each another. This painting is oil on canvas, initialed on the front and signed, titled and dated on the reverse. On the reverse, you also see one old...

Category

2010s Contemporary Paintings

Materials

Canvas, Oil

Surrealist Large Painting Royal College of Art LGBTQ+ Female Blue Green Water

Surrealist Large Painting Royal College of Art LGBTQ+ Female Blue Green Water

By Isabel Rock

Located in Norfolk, GB

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Water, 122 x 152cm, Collaged woodblock print, acrylic inks on Somerset satin paper, 2023 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Water; Once upon a time there was water. It fell from the sky in clear blue droplets. It made pools and puddles on the ground. The water tasted sweet and pure, it was good to drink, to make soup, to swim in or to wash in. It made the plants and trees grow big and luscious, it was the lifeblood of everything.. Everybody loved water and no one ever questioned where it came from or that one day the rain might stop and there would be no water.  The water women went about their usual business, they made soup, they grew cabbages, they argued and laughed together. The well was always full, there was food aplenty, life thrived. It is sometimes said that ignorance is bliss, and the women did live in bliss although they did not know it. They did not know that one day the rain would stop. It was only when the rain stopped that they knew they had lived in bliss. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

Category

2010s Surrealist Figurative Paintings

Materials

Paint, Mixed Media, Acrylic, Archival Paper, Pen