Arthur Clifton Goodwin

Louis Kronberg In His Studio

A printmaker, painter, and commercial artist, Marion Huse created work that ranged from realism to abstraction and included portraits, figure subjects, landscapes, and floral still l...

This lovely French 19th century figurative Impressionist oil painting is by Adolphe Monticelli. Painted circa 1870 the painting depicts a group of seven figures amusing themselves in...

The Artists Studio by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 22 x 18 inches Colors: Red colors, brown, blue, white and o...

A fine interior oil painting which dates to circa 1870 by listed artist Alfred Stevens. It is a superb British Impressionist painting which depicts the artist in his studio in front ...

This superb RSA exhibited Scottish Edwardian interior oil painting is by Glasgow Boy artist Alexander Ignatius Roche. It was painted circa 1914 when Roche was living at 8 Royal Terrace, on Calton Hill, a very prestigious property in Edinburgh, now the Halcyon Hotel. The painting is a view of Roche's studio, quite possibly one of the rooms at the above address. The painting was exhibited at the Royal Scottish Academy the following year, no. 333 entitled The Studio. The painting shows Roche beneath the vast window in his studio against a red wall that meets pale floorboards. Various items and furniture are scattered about. The balance of the white window and pale floorboards with the red wall intersecting is perfect. A really lovely example of this great Glasgow Boy artist's work and a very personal piece showing his inner sanctum. Signed lower right. Provenance. Exhibited at the Royal Scottish Academy 1915 no. 333, entitled The Studio. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a gilt frame, 32 inches by 28 inches and in good condition. Alexander Ignatius Roche RSA NEAC RP (1861-1921) was a Scottish artist in the late 19th century and an important figure in the “Glasgow Boys. He was born in the Gallowgate in Glasgow, the son of a milliner, Alexander Roche. He attended St Mungo’s Academy in Bridgeton, Glasgow. He originally trained as an architect, but then changed to art, studying at the Glasgow School of Art and, from 1881, at L’Ecole des Beaux Arts in Paris. Here he studied under Gustave Boulanger and Jean-Leon Gerome. In his time here he befriended William Kennedy, John Lavery, Thomas Millie Dow and William Stott. In the early 1880s he joined a colony of Scots artists in Grez-sur-Loing south of Fontainebleau. On his return to Scotland in 1885 he joined with the Glasgow Boys working on murals for the 1888 International Exhibition. In 1888 he travelled to Capri where he befriended Fabio Fabbi and Harold Speed. In following years he visited both Venice and Florence, and married an Italian girl on the latter trip. This marriage was short-lived and they separated. As both were Catholics there seems to have never been any divorce. In 1896 he moved from Glasgow to Edinburgh and began to distance himself from the Glasgow Boys. His work drifted from largely landscape to portraits. In 1906 he remarried (possibly bigamously), to Jean Alexander, daughter of Robert Alexander. During this period they enjoyed the friendship of Joseph Crawhall...

Nicolai Cikovsky Moses Soyer Painting in his Studio Signed lower right Oil on board 18 x 15 inches Nicolai S. Cikovsky (1894–1984) was a distinguished Russian-born painter celebrat...

The Artists Atelier by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 37 x 32 inches canvas: 29 x 24 inches Colors: Green colors, beige, blue and gr...

This wonderful painting captures an enchanting glimpse of a cottage garden viewed from within the artist's studio. A fabulous painting by a key figure in early 20th Century Scottish ...

Robert Phillipp "Corner of My Studio" Original Painting c.1968 Original oil on canvas. Dimensions 12" x 16". The frame measures 16" x 20". Signed low...

Joseph Kleitsch’s Studio Interior (1918) is a compelling early work that reflects the artist’s academic-realist foundation and marks a pivotal moment just before his relocation from ...